Showing posts with label Led Zeppelin III. Show all posts
Showing posts with label Led Zeppelin III. Show all posts

Sunday, September 17, 2017

Plagiarism revisited

Plagiarism.  An ugly word, especially when applied to a band we love.  But what about when it is applied to a band that has plagiarized Led Zeppelin?


Lucifer's Friend was formed from the German band Asterix is 1970.  According to Discogs, Ride in the Sky was recorded/released November 1970 at Tonstudio Maschen & Windrose-Dumont Time Studio.

According to Dave Lewis in Led Zeppelin: The Concert File (a must-have book!) Led Zeppelin's Immigrant Song was initially worked on in May and June of 1970 at Headley Grange and was premiered at the Bath Festival 28 June 1970.  Led Zeppelin began opening their shows with Immigrant Song in July 1970, starting with -- pay attention here -- Germany.  Led Zeppelin III was released in October 1970

So... which band could claims of plagiarism be thrown at?  I think it's pretty clear.  Just sayin'.


We are your overlords.




Saturday, May 28, 2016

On This Day 29 May

Jimmy jams, plus two versions of On This Day iincluding a Jimmy Page selfie.  
1970 29 May On This Day more Led Zeppelin III recorded at Olympic Studios Two
(one of two versions posted on Jimmy Page's website)
Click here for the above image without text.
1970 29 May On This Day more Led Zeppelin III recorded at Olympic Studios Two 
(one of two versions posted on Jimmy Page's website)
  • 1967 The Yardbirds - Cambridge, Cambridgeshire, England at Cambridge City Football Club Stadium
  • 1968 The Yardbirds - Concord, CA at Concord Coliseum
  • 1969 Led Zeppelin - Boston, MA at Boston Tea Party
  • 1970 Led Zeppelin III recorded at Olympic Studios Two 
  • 1991 Jimmy Page - Reno, NV at Crystal Bay Club - jam with local band Solid Ground
  • 1998 Page & Plant - Atlanta, GA at Lakewood Amphitheater
1968 The Yardbirds in London. Possibly Chris Dreja's mini

1991 Jimmy Page - Reno, NV at Crystal Bay Club - jam with local band Solid Ground
Jimmy Page probably played just 14 performances from 1989 to 1992.  The jam at the Crystal Bay Club in Nevada with local band, Solid Ground, is one of them.  The club is not far from Incline Village where Jimmy & David Coverdale were writing material for a new album.  An 80 minute audio bootleg recording is titled Up In Smoke.

Setlist:
01 Spider In Your Web
02 Steamroller
03 Johnny B. Good
04 Hound Dog/Blues Suede Shoes
05 Smokin' Again
06 Slow Down
07 Old Time Rock And Roll
08 Kansas City
09 Louie Louie/Wild Thing/Hang On Sloopy

Friday, May 29, 2015

On This Day 29 May

Jimmy jams, plus two versions of On This Day iincluding a Jimmy Page selfie.  
1970 29 May On This Day more Led Zeppelin III recorded at Olympic Studios Two
(one of two versions posted on Jimmy Page's website)

1970 29 May On This Day more Led Zeppelin III recorded at Olympic Studios Two 
(one of two versions posted on Jimmy Page's website)
  • 1967 The Yardbirds - Cambridge, Cambridgeshire, England at Cambridge City Football Club Stadium
  • 1968 The Yardbirds - Concord, CA at Concord Coliseum
  • 1969 Led Zeppelin - Boston, MA at Boston Tea Party
  • 1970 29 May On This Day more Led Zeppelin III recorded at Olympic Studios Two (one of two versions posted on Jimmy Page's website)
  • 1991 Jimmy Page - Reno, NV at Crystal Bay Club - jam with local band Solid Ground
  • 1998 Page & Plant - Atlanta, GA at Lakewood Amphitheater
1968 The Yardbirds in London. Possibly Chris Dreja's mini

1991 Jimmy Page - Reno, NV at Crystal Bay Club - jam with local band Solid Ground
Jimmy Page probably played just 14 performances from 1989 to 1992.  The jam at the Crystal Bay Club in Nevada with local band, Solid Ground, is one of them.  The club is not far from Incline Village where Jimmy & David Coverdale were writing material for a new album.  An 80 minute audio bootleg recording is titled Up In Smoke.

Setlist:
01 Spider In Your Web
02 Steamroller
03 Johnny B. Good
04 Hound Dog/Blues Suede Shoes
05 Smokin' Again
06 Slow Down
07 Old Time Rock And Roll
08 Kansas City
09 Louie Louie/Wild Thing/Hang On Sloopy



Wednesday, July 2, 2014

Remasters 2014 Report: Led Zeppelin III Companion Disc

I gotta tell you, I sat down to listen to this disc with mixed feelings. I was feeling kinda bad because it’s the last of the first batch of remaster discs, with nothing more till next fall.  That’s a long time to wait.

But whoa baby – I also knew this one final disc of the first batch was going to be pretty awesome. I mean – Bathroom Sound? Who puts out an album with anything on it like that? You KNOW right then it's going to be great!

And I was not disappointed.

Led Zeppelin III Companion Disc

Immigrant Song is some kind of perfection.  Powerful and nearly frightening in its simplicity and depth.

So clean. That’s the gift of the remasters. Crispy critters.

Oh oh oh RP - all that hummuhhh stuff!

I damn love the minor key. It’s so off balance.

Holy shit – it's an instrumental. Sorry RP, but this may be my new favorite version, even without you.

Ominous. Clouds looming just over the horizon out of sight, perhaps bringing something very unexpected. Friends come with hidden blessings, don’t you know.

Oops – my cat just decided that Led Zeppelin blasting in her ear was too much so she just up and left. Her loss.

Shocking – I was totally sucked into following the last bit of sound and then Celebration Day completely gobsmacks me.

How is it that every single time I listen to this music it’s a new thing, a revelation and yes a celebration of Magick and music and life?

Guitar guitar guitar – a few notes send me off!

Energy, power, dammit. It’s all here.

Hah – that guitar is just slightly flat! On purpose?

Each damn song is the best!

I love love love this SIBLY rough mix! And I’ve always loved the guitar's comments in SIBLY.

Lose my worried mind? How about how my heart is being yanked out right through my skin?

Crap. Are you supposed to need tissues to wipe your eyes when you’re loving music this much? Of course, that heartectomy might have something to do with it.

And dammit, that guitar IS flat!

SIBLY is just emotionally wringing. But isn’t it all?

Bathrooms are great for sound! Grinding, growling. The beast.

Brains, hearts and souls in synch.

And of course my mind is hearing RP’s voice anyway!

Ah, there’s JPJ. And finally… the heartbeat, Bonzo.

And then it just stops like that – makes me laugh!

That’s the way, all right. It’s such a sweet thing, but with a core of darkness. Contrast.

Oh, that’s an interesting thing with RP’s voice now.

“Fish in dirty water dying” – I don’t always listen to the words, but isn't that an amazing phrase?  I think it every time I hear it.

Geez – why didn't they use this rough mix as the final product? There’s some amazing stuff in it! A new favorite for me!

Gods yes, I think I may love this version of Jennings Farm Blues more than any other. There is stuff being said musically that I've not heard before.

No – there is no “I think” about loving this version. It is just different enough that it’s practically a whole new song and KaChing – just like that another new favorite for me!

I can’t say that tremolo does much for me. I get what Robert’s doing with it but a little goes a long way.

Afternote:

Led Zeppelin - they were masters of the music in a way that no one had been before, right from day one. They stood out even compared to the Big Guys of rock music of the day. This was their third album, fer crying out loud. They'd only been a band for two years!

I can’t believe all the whiners who say that these remasters are just more of the same. I pity those people for what they cannot hear. Meanwhile, I feel like I've been given an extraordinary gift of perfect imperfection. A bittersweet gift, at that, not without the price of emotional investment.

But isn't that what Magick is all about?



Friday, June 20, 2014

Remasters 2014 Report: Led Zeppelin III

It’s so cool that the remaster CD has the spin disc cover like the original. Such attention to detail – not surprising but still worth acknowledging.

Jimmy Page should be revered as one of the great wonders of the world, a planetary treasure.


As before, these are thoughts and reactions experienced when listening to this remaster disc for the first time.


Led Zeppelin III

One of the most chilling, soul shivering song beginnings ever. But LZ was good at that.

Love the way RP lingers on the syllables.

I will never listen to the original albums again. The remasters are it.

The crispness of the sound makes me appreciate all over again how tight their musical choreography is.

Wait wait – Immigrant song can’t be that short!

That alternate tuning - edgy!

A kind of scary song, isn’t it? Friends? I mean really - who the hell decided on that innocent name?

The flow from Friends into Celebration Day – brilliant!

I’m so happy I joined up with that band decades ago!

The ups and downs – rhythm, tone, alternate tuning, major to minor scales, pitch, even the segues to next songs. Contrast, contrast, contrast, baby - never ever left to chance.

SIBLY. Simply… wow. A guitar and drummer. A touch of keyboard. And then POW. A sucker punch to the gut and then backing off to let RP sing of the damage. I fall for it each time.

Those rocking rhythms just stuck in there.

Wah. Tearing me to shreds.

The guitar – I wasn’t ready, I could never be ready for that lethal insertion of emotion. And then and then and then….

Jazz/scat, the whole kitchen sink. RP’s tools were beyond mortal.

Once again I’m struck with the disjoint of the start of OOTT. Uncomfortable, puts me off balance. Inside, it feels normal already. Were they not afraid of anything at all?

I remember thinking when I first ever heard this that it was a great song but why in the world did LZ do it? But really, who cares? It’s another way to express something different musically. Do it all! Any way at all!

Banjo. What a riot. It’s a sound. In fact, Gallows is so rich with diverse sound

I never noticed that chorus effect in the last minute – is that really what I’m hearing?

That false start before Tangerine… intriguing

Tangerine has always been one of my least favorite LZ songs. But there’s new information now, and it seems more complex musically than I thought. Maybe I've never given it a fair shake.

More slide guitar? Steel pedal? Where did that come from? And so its own thing. Not the way I’m used to hearing it

I can’t really listen to this music with my eyes open.

The sound between the notes is so full!

Steel strings so hard for such a soft song. But the bass cushions.

I love the ending – sometimes words just get in the way.

Oh Bonzo – you made it stomp. Can’t help but bounce when listening to this!

The greatest band in the world does a song about a dog. Is there ANYTHING they won’t try?

That’s some pretty slick guitar playing, Mr. Page.

Two instruments, so unlike. A guitar. A voice. And yet so much there.

But the end too soon!


Afternote:

Did anyone truly appreciate LZ in their time? I know that what I hear and appreciate now is very, very different than what I was hearing back then. We all are growing up, but maybe there are good things that come from that after all.

What I take away from this album is a new appreciation for how diverse these guys were, how bold and adventurous. Any technique, any sound – it was all fair game to get their music out there.




Sunday, August 12, 2012

Hammer of the Gods

“…it was the opening track on the album that was intended to be incredibly different”.
                                                                    ~ Robert Plant,  in Led Zeppelin by Chris Welch, p 55

Mage Music 14 

Immigrant Song is pretty interesting. Musically, it’s not one of my personal favorites, although it is compelling – it’s one of those “almost” songs for me, not quite carrying the Magick it seems to promise - and I have to wonder about that.  I find the studio version to be flat, leaving me unsatisfied, although the live versions – particularly the 1971 Paris Theatre performance that appears on BBC Sessions or the 1972 LA Forum performance that appears on How The West Was Won - are much more compelling.

Magick or no, the constant pounding pulse that drives this song very well supports the lyrics. You can’t help but feel the energy and want to shove a horned helmet on your head, pick up a hammer and go off with your friends for some good old raping and pillaging. When prefaced by the drone the anticipation builds to almost intolerable levels until the opening onslaught of guitar, drums and bass - and then we’re hit with Robert Plant’s cosmic war cry. We grab our weapons and our torches and off we go. Take no prisoners!


Subtle humor

Some sources claim that Immigrant Song was intended to be a bit humorous. I can sort of see the tongue in cheek aspect of it – after all, the soft acoustical side of Led Zeppelin is introduced in this album and yet the first song is about war and conquest and is anything but soft. Hindsight speculation is risky, but if this was intentional humor it seems that it might also be a joke at the band’s own expense, perhaps even a parody of their musical conquest of the US and their legendary on-the-road excesses.

Subtle humor, indeed, that offers a mighty war anthem album-opener that begs comparison of the mighty Led Zeppelin to the thunderbolt-throwing, mead drinking gods of old – and that then moves on to songs that, in the tradition of the bards of old, tell us stories - tales that were conceived at the primitive 18th century cottage, Bron-Yr-Aur. In an October 1977 interview in Trouser Press Magazine by Dave Schulps, Jimmy Page commented, "It was the tranquility of the place that set the tone of the album." This, about an album that opens with a paean to war, conquest and death.

Led Zeppelin III is a forging into new territory for the band. Perhaps what was being captured with Immigrant Song was the violence of breaking with the past and pushing into an unfamiliar future, with the song’s title an outright reference to a people moving into in new places. It takes strength of will, belief in self and considerable skill to conquer the unknown. We know that Jimmy Page has never had any fear of doing what it takes to push the envelope.  It could be that the Magick really is there after all, just delivered with an unaccustomed blunt force that serves all the better to bring out the contrast with all that follows.  A hammer blow of the gods, if you will, saying PAY ATTENTION.


Imitation (and cover), the sincerest form of flattery

In spite of, or maybe more because of the dynamic, aggressive tone of Immigrant Song, it seems to be highly desirable for use elsewhere, either in the original or covered by other musicians. We hope that Led Zeppelin receives plenty of royalties for this use.

Notable appearances of Immigrant Song (I’m sure there are many more examples):

  • 1973 Opening credits of the martial arts film, Young Tiger, starring Fei Meng and a young Jackie Chan
  • Professional wrestler Bruiser Brody (1946-1988), as entrance music to the ring
  • 1993 Jack Black filmed himself in front of a screaming audience begging Led Zeppelin for the use of Immigrant Song in his movie, School of Rock.
  • 1993 Denis Leary, MTV Unplugged special 
  • 1999 documentary about the 1972 Munich Olympic Games massacre, One Day in September
  • 1999 Vanilla Ice, the basis for "Power", a rap metal song
  • 2003 That ‘70s Show Season 5, Episode 24
  • Nirvana With The Lights Out box set (CD + DVD)
  • 2006-07 Trailers for the BBC1 drama series Life on Mars
  • 2007 Minnesota Vikings, during team introductions and before kickoffs. 
  • 2007 Shrek the Third: A schizophrenic Snow White begins her attack on the city gates with Robert Plant’s famous opening cry
  • 2010 Christmas episode of Doctor Who Confidential
  • 2011 Karen O, Trent Reznor and Atticus Ross for The Girl with the Dragon Tattoo
  • 2011 Loud Music by Michelle Branch (a reference to “Zeppelin” and a very tame version of Robert Plant’s opening cry)
  • Late Night With Conan O'Brien, along with Kashmir
  • Winnipeg Jets opening song before play
  • Viking Kittens (see link below for the horrible video)
  • During credits for the French TV show 50 Minutes Inside.





Trivia: On the first vinyl pressing of the album 'Led Zeppelin III' in 1970, Jimmy Page paid homage to Alastair Crowley by placing a quote in the dead wax (where the groove runs out in the middle of the disc).  On side A you can read, "Do What Thou Wilt..." and on side B, "So Mote Be It"

Further note:  Not much about Magick in this post, but I'll be getting back on topic next time.



Immigrant Song

YouTube Playlist (Led  Zeppelin + Jeff Beck/Jimmy Page only)

Individual song links:

Bonus links:



Wednesday, August 8, 2012

Mage Music 15 Playlist for 08/12/12


Mage Music 15:  Hammer of the Gods

YouTube Playlist


Individual song links:

Bonus links on 08/12/12!