Showing posts with label Elton John. Show all posts
Showing posts with label Elton John. Show all posts

Monday, August 14, 2023

On this day 14 August

 Seems to me it should get way louder!


14 August 2000  On This Day Jimmy Page - The Black Crowes - Burbank, CA on Jay Leno


2000 14 August On This Day Jimmy Page - The Black Crowes - Burbank, CA on Jay Leno

  • 1966 The Yardbirds - Great Falls, MT at State Fairgrounds,4-H Building
  • 1969 Led Zeppelin - Austin, TX at Austin Municipal Auditorium
  • 1977 Jimmy Page with Ron Wood and local band, Arms and Legs - Plumpton, England at The Half Moon Pub, charity event for underprivileged children
  • 2000 Jimmy Page with The Black Crowes - Burbank, CA onTonight Show
  • 2009 14 August - It Might Get Loud opens in select theaters in NY, WA, CA

1977:
There were two Jimmy Page/Ron Wood charity jams in 1977.  The first was on this day at the Half Moon Pub, which was very close to Jimmy Page's Plumpton Place home and studio.  The second was 17 September.  Both acoustic jam events were to benefit the Goaldiggers football charity that provides playing fields in under-privileged areas. Elton John released a single for the charity in 1977, The Goaldiggers Song.




2009 14 August - It Might Get Loud opens in select theaters in NY, WA & CA
2009:
The short description of the movie It Might Get Loud might be stated like this: the individual histories of three generations of rock guitarists are shown and then the guitarists come together and jam. But the 2008 documentary directed by Davis Guggenheim is, for those who know, a movie about an elemental - that is, Jimmy Page - and two younger guitarists who practice the art of music.

Just look at the Edge's and Jack White's faces when Jimmy Page hits the first notes of Whole Lotta Love. Those are the looks of people in the presence of one of their gods manifesting his Power. They don't hide how they feel and we know why.

What? You don't know? Well, this is a blog about music AND magic, isn't it? Who else but Jimmy Page embodies both?

2009 June Guitar World cover (Ross Halfin photo)

Jimmy Page, scene from It Might Get Loud

♪ It Might Get Loud (movie trailer 2009)  YouTube
♪ The Wanton Song (Jimmy Page with The Black Crowes, Tonight Show 2000) YouTube
♪ Desire (The Wanton Song, rough mix) YouTube
♪ The Goaldiggers Song (Elton John, for Goaldiggers charity 1977) YouTube


Sunday, July 30, 2023

On this day 30 July

 We're here, right by you Jimmy!


1984 30 July On This Day Steven Stills' Right By You released, with Jimmy Page on tracks 1, 3 and 10
 ♪  Right By You (Stephen Stills with Jimmy Page guitar) Soundcloud
  • 1966 The Yardbirds - Windsor, England at Royal Windsor Racecourse
  • 1967 The Yardbirds - Seattle, WA at Eagles Auditorium
  • 1969 Led Zeppelin - Salt Lake City, UT at Terrace Ballroom (2 shows one night)
  • 1984 Stephen Stills' Right By You released with three tracks recorded by Jimmy Page at The Sol 
1969:
Led Zeppelin was the opening act to veteran performers, Vanilla Fudge. According to a press review, Vanilla Fudge appeared as musical impostors when compared to a group like Zeppelin. The bass player for the Fudge even apologetically acknowledged this as he mounted the stage and said, “There’s no way we can follow that.”
~Summer Chronicle, by S. Poulsen, August 1, 1969

1969 Led Zeppelin in Salt Lake City, UT
1984:
The Mill Studios (also known as The Mill or The Sol), located in Berkshire, England, was a recording studio built by Gus Dudgeon, who purchased the property in 1975 to develop a studio for recording/producing a number of Elton John's albums. The property itself is an old watermill on the Thames River system, with a recording studio and control room connected to the old watermill and residential wheelhouse via a bridge over the millpond dam.

Jimmy Page purchased the studio complex in 1980 when he also bought a home, the Old Mill House, a few minutes away.

The Led Zeppelin songs Poor Tom and We're Gonna Groove, originally recorded in 1970, were produced by Mr. Page at Sol Studios for release for the album Coda. The soundtrack for the film Death Wish IIThe Firm’s two albums, and Outrider were also recorded at The Sol.

The Mill Studio (a.k.a. The Sol) view from control room

Control room of The Mill Studio (a.k.a. The Sol
2015
Jimmy Page visited Japan with Ross Halfin. While he was there they visited the Peace Memorial Park in Naka Ward, Hiroshima, where Page left flowers at the Cenotaph for the A-bomb Victims. The last time he was there was with Led Zeppelin, in 1971, when the band held a “Love and Peace” charity concert in the former Hiroshima Prefectural gymnasium in Naka Ward. Proceeds from that concert, amounting to some seven million yen, were donated to the City of Hiroshima to aid atomic bomb survivors.




Saturday, September 2, 2017

To be or to have been



Lots of grumbling out there about how Jimmy Page hasn't put out new music as he said he would. But this blog post isn't about Jimmy Page. Sorry.

This blog post is about putting out music when you don't have any music to put out.

It's about Robert Plant's putting out a new album that astounds me... not because I think it's so great but because of what I consider to be mistaken reviews.

Sacrilege or legit criticism?
Note: this blog post a statement about my musical tastes - your experience may differ.

I want to assure you my intent is not to dis Robert Plant. My aim is to present a criticism of music and it is criticism I'd apply to any musician. 

It's my opinion that when an artist stops growing but keeps putting work out, he or she becomes an entertainer. The painting, the writing, the music, whatever it is, becomes marketable product, not art. For those of us who take our art seriously, that's a fatal flaw.

That doesn't make the product bad, it just means that it's no longer art. It's the difference between, say, Monet and Keane. Between Shakespeare and Patterson. Between Beethoven and Bieber. Art endures. Entertainment is fleeting. The works of great artists are beloved for centuries because there is timeless value to those works. The works of great entertainers last until public interest moves on because the values are based on current cultural conditions. Over time great entertainment is reduced to items of historical note.

Robert Plant was a great musician back in the day. But to have been a great musician doesn't make him one anymore.  I have a hard time with his work being considered the art it was. To me his work has left the ranks of timeless art and become popular entertainment.

That's not a bad thing, in itself. It's just not my cup of tea. 

Art = creativity

Those who've been reading this blog for a while know that I consider magic to be the power to change reality through acts of creation. Art is an act of creativity and therefore a kind of magic. That's how I have approached the work of Jimmy Page, and that's how I approach any music or other art.
That's why I have a hard time with Robert Plant's work these days.
Of course I listened to Carry Fire because I hoped maybe he had put out something new. But no. About the most entertaining aspect of this album has been the reviews. Here are some actual words used by reviewers of, for instance, one of the tracks, Bones of Saints:
"thunderous"
"rocking"
"lights a fire in the sky"
"a high-energy new blues-rock"
"a propulsive, rockabilly-style riff with a cinematic mid-song vocal"
Really? Do these people not hear what is or do they hear through the filter of what has been? Are their minds so clouded with Mr. Plant's past (with Led Zeppelin) that they can't hear with the ears of today? Thunder compared to what? Lighting a fire in what sky? High energy? Huh?

Those reviewers are confusing music with poetry. Robert Plant has given himself over to words at the expense of music. Fine. Let the reviewers review the lyrics, because the music is just plain bleh.

So okay, maybe this is unfair criticism. Maybe I haven't moved on with Mr. Plant to this post-Zeppelin era in which he is so attracted to world music. I love rock music above all but I have no problem with world music. Rock music with the influences of other cultures can be fascinating (Kashmir, anyone? Or how about Bron-Y-Aur Stomp? The Battle of Evermore?) But...if I wanted to listen world music it wouldn't be Mr. Plant's version.
Why? Because he doesn't use world music -- or any music -- to express anything new. It's the same music that varies in details only. It's different lyrics rather than different music. To me Mr. Plant's music since Led Zeppelin sounds all the same. Like he's latched onto one motif that lets him create new lyrics -- which he's very good at. The formula sells a lot of albums but it means Robert Plant can't move on artistically. His work is nice but it's boring. You've heard one song, you've heard them all unless you listen closely to the words.

Words aren't music.

On the other hand, if the object is to be an incredible entertainer, then Robert Plant has got the formula down.


Art vs entertainment

I'm not talking about Robert Plant's technique or even his voice. Voices go with age and abuse, and Robert Plant's not the only one whose voice has gone. Lots of singers start to sing in lower keys because they can't reach the highs anymore (Elton John), or cover their croaking with instruments or sing on in a parody of Bob Dylan anyway because they just don't care (Roger Waters).

It's okay to listen with a musically non-critical ear to the singers we love -- of course it is!  But that's not the problem here.

I could listen to Mr. Plant's post-Zeppelin work in spite of his voice. But I can't listen to the same-old-same-old. Robert Plant has become the Margaret Keane of his field... along with the majority of today's musicians.

To me the mark of a great artist is when he or she can continue to grow. This doesn't mean changing a signature style (although that can happen), but rather developing artistic statements that reveal new depth of experience -- either the artist's or the world's. Those statements change as the artist gains skill, or maturity, or enlightenment.

Artistic growth is the difference between art and entertainment.

It's not easy to grow artistically.  And it's not necessarily fun, particularly when the world is watching and listening with expectations, particularly when the artist has had great success doing something and the world is clamoring for more of it.

But what sells or is popular or garners great reviews is not a measure of good art. Art tells us something new about reality. The greater the art, the deeper it is, the more fundamental the message. The greatest art creates a new reality for those who can experience it.

Maybe I'm shallow. Maybe Robert Plant has found a way to bring poetry to a public that isn't much into poetry. More power to him. But to call it music, what he does?

No.


Friday, August 14, 2015

On This Day 14 August

Seems to me it's not loud enough yet.

14 August 2000  On This Day published 2020


2000 14 August On This Day Jimmy Page - The Black Crowes - Burbank, CA on the Tonight Show

  • 1966 The Yardbirds - Great Falls, MT at State Fairgrounds,4-H Building
  • 1969 Led Zeppelin - Austin, TX at Austin Municipal Auditorium
  • 1977 Jimmy Page with Ron Wood and local band, Arms and Legs - Plumpton, England at The Half Moon Pub, charity event for underprivileged children
  • 2000 Jimmy Page with The Black Crowes - Burbank, CA onTonight Show
  • 2009 14 August - It Might Get Loud opens in select theaters in NY, WA, CA

1977:
There were two Jimmy Page/Ron Wood charity jams in 1977.  The first was on this day at the Half Moon Pub, which was very close to Jimmy Page's Plumpton Place home and studio.  The second was 17 September.  Both acoustic jam events were to benefit the Goaldiggers football charity that provides playing fields in under-privileged areas. Elton John released a single for the charity in 1977, The Goaldiggers Song.

2009 14 August - It Might Get Loud opens in select theaters in NY, WA & CA
2009:
The short description of the movie It Might Get Loud might be stated like this: the individual histories of three generations of rock guitarists are shown and then the guitarists come together and jam. But the 2009 documentary directed by Davis Guggenheim is, for those who know, a movie about an elemental - that is, Jimmy Page - and two younger guitarists who practice the art of music.

Just look at the Edge's and Jack White's faces when Jimmy Page hits the first notes of Whole Lotta Love. Those are the looks of people in the presence of one of their gods manifesting his Power. They don't hide how they feel and we know why.

What? You don't know? Well, this is a blog about music AND magic, isn't it? Who else but Jimmy Page embodies both?

2009 June Guitar World cover (Ross Halfin photo)

Jimmy Page, scene from It Might Get Loud

♪ It Might Get Loud (movie trailer 2009)  YouTube
♪ The Wanton Song (Jimmy Page with The Black Crowes, Tonight Show 2000) YouTube
♪ Desire (The Wanton Song, rough mix) YouTube
♪ The Goaldiggers Song (Elton John, for Goaldiggers charity 1977) YouTube

[edited 14 August 2020]

Thursday, July 30, 2015

On This Day 30 July

We're here, right by you Jimmy!

1984 30 July On This Day Steven Stills' Right By You released, with Jimmy Page on tracks 1, 3 and 10
 ♪  Right By You (Stephen Stills with Jimmy Page guitar) Soundcloud
  • 1966 The Yardbirds - Windsor, England at Royal Windsor Racecourse
  • 1967 The Yardbirds - Seattle, WA at Eagles Auditorium
  • 1969 Led Zeppelin - Salt Lake City, UT at Terrace Ballroom (2 shows one night)
  • 1984 Stephen Stills' Right By You released with three tracks recorded by Jimmy Page at The Sol 
1969:
Led Zeppelin was the opening act to veteran performers, Vanilla Fudge. According to a press review, Vanilla Fudge appeared as musical impostors when compared to a group like Zeppelin. The bass player for the Fudge even apologetically acknowledged this as he mounted the stage and said, “There’s no way we can follow that.”
~Summer Chronicle, by S. Poulsen, August 1, 1969

1969 Led Zeppelin in Salt Lake City, UT
1984:
The Mill Studios (also known as The Mill or The Sol), located in Berkshire, England, was a recording studio built by Gus Dudgeon, who purchased the property in 1975 to develop a studio for recording/producing a number of Elton John's albums. The property itself is an old watermill on the Thames River system, with a recording studio and control room connected to the old watermill and residential wheelhouse via a bridge over the millpond dam.

Jimmy Page purchased the studio complex in 1980 when he also bought a home, the Old Mill House, a few minutes away.

The Led Zeppelin songs Poor Tom and We're Gonna Groove, originally recorded in 1970, were produced by Mr. Page at Sol Studios for release for the album Coda. The soundtrack for the film Death Wish II, The Firm’s two albums, and Outrider were also recorded at The Sol.
The Mill Studio (a.k.a. The Sol) view from control room

Control room of The Mill Studio (a.k.a. The Sol


♪  Flaming Heart (Stephen Sills, feat. Jimmy Page guitar, 1984) YouTube
♪  Right By You (Stephen Sills, feat. Jimmy Page guitar, 1984) YouTube