Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Monday, January 11, 2016

RIP Thin White Duke

David Bowie (1947 - 2016).  Singer, songwriter, multi-instrumentalist, record producer, arranger, painter and actor. Paradigm challenger and creator of new realities.

The Goblin King


Think on this: Instead of announcing to the world that he had cancer, he gave the world more music.


Look up here, I'm in Heaven!
I've got scars that can't be seen
I've got drama, can't be stolen,
Everybody knows me now
Look up here, man, I'm in danger!
I've got nothing left to lose
I'm so high, it makes my brain whirl
Dropped my cellphone down below
Ain't that just like me?!
By the time I got to New York
I was living like a king
Then I used up all my money
I was looking for your ass
This way or no way
You know I'll be free
Just like that bluebird
Now, ain't that just like me?
Oh, I'll be free
Just like that bluebird
Oh, I'll be free
Ain't that just like me?




♪ Blackstar YouTube
♪ Lazarus YouTube

Wednesday, April 22, 2015

On This Day 22 April

In 1960 (or was it 1961?) Jimmy Page persuaded Chris Farlowe and The Thunderbirds to record at RG Jones - a demo Studio in Putney.

In 2019 On This Day says the Farlowe studio session was in 1961


1960 Jimmy Page at RG Jones Studio with Chris Farlowe
  • 1961 Jimmy Page - produces Chris Farlowe's Money
  • 1985 The Firm, Market Square Arena, Indianapolis IN
1961
R.G. Jones is one of the longest running studios in Britain.  The facility was located at Morden Manor when Jimmy Page was there with Chris Farlowe (it was moved to Wimbledon in 1969 where it operated until 2001). The studio produced demo records for the Yardbirds, Eric Clapton, David Bowie, Springfields, Englebert Humperdink, Tom Jones, the Bee Gees and others.

Jimmy Page's On This Day says the studio session happened in 1960 and in 1961, depending on which On This Day you are looking at.  However, let's go with 1961.  Page, at that point 17 years old, would go on to work for Immediate Records for several years as the label's in-house producer.

Chris Farlowe sang on three tracks from Jimmy Page's Death Wish II soundtrack (1982), as well as Hummingbird, Prison Blues and Blues Anthem on Page's album Outrider (1988).

Farlowe is considered by some to be one of the most underrated British soul & blues influenced singers ever.  I consider Outrider to be one of the most underrated albums ever.  


♪ Money (Chris Farlowe and the Thunderbirds 1960 or 1961) YouTube
♪ Hypnotizing Ways (Oh Mamma) (Death Wish II 1982 YouTube 
Prison Blues (Outrider 1988 YouTube 


Saturday, June 22, 2013

Let The Games Begin

You have thirteen hours in which to solve the labyrinth
~ Jareth, the Goblin King (Labyrinth 1986)

Mage Music 58

Mage Music 58 lemonysong  jimmypagemusic.blogspot.comRituals of Magick can take many forms – theoretically, an infinite number of them. Each ritual is specific for a time and space in which it occurs - including the state of the soul of the individual performing it - so there is no one recipe for Magick that will do the job.  And of course, Magick isn't truly about changing the world. What it really is about is the Mage’s becoming a different person in a preferred world.

What all this means is that no one can ever know the true workings of Magick in any ritual that is not their own.  Magick is a thing of the Mage’s mind and soul. No one can know the true symbolic meanings of the objects or the actions of someone else’s desire and will, particularly since each instance of Magick is its own thing, blossoming into the world once to never exist again. Oh, anyone can see how things are placed in a ritual, they can hear the sounds, they can follow the progression - but they can never know the true symbolic relationships that the Mage has set for that specific instance in time and space.  Not unless they are truly psychic and living in the Mage's brain... which no doubt the Mage would have something to say about.

Thank goodness this doesn't mean that others can’t bask in the glow of a Mage's work.  In fact, the radiance of Magick that can be seen or heard or felt can be borrowed, in a way.  

It’s true - you don’t have to be a Mage to use Magick. In fact, those who are changed by the music of, say, Jimmy Page, are actually doing Magick themselves - even without being a Mage. With sufficient will and desire, a person can use the Magick of a Mage's ritual to prime the Magickal pump, so to speak.  

Metagame Magick - Recipe for Ritual

You still have to follow the rules of Magick, though.  Magick isn't random - it is the purposeful bringing about of change in reality.  One result is that while you can follow all sorts of recipes for a ritual, and you can even borrow the Magick of a ritual, the symbols must still be yours, they must have true and personal meaning for you. You still have to have the desire and the will, and even though the ritual is borrowed, you still have to understand it and own it yourself.

The recipe for ritual can be as simple as playing a game.

Metagaming is game strategy that transcends the regular playing rules.  The term refers to the game universe outside of the game itself - just like how Magick refers to the planes of reality outside of itself. Metagaming is using knowledge beyond the characters (in role-playing) or the assigned meanings of the game pieces to change the way the game works within itself. It is a layer over the game that is a game-changer.

Just like Magick.

Here’s a down and dirty example of metagame Magick using Solitaire (2 colors) as ritual.
Mage Music 58  Metagame  jimmypagemusic.blogspot.com
  • First you just play, hoping to win.
  • Then you play hoping to see the patterns.
  • Then you use the patterns while playing to tell you something about how the world beyond the game works.
  • This starts to influence how the cards come out, as you infuse the process with desire and will.
  • And then you can manipulate the game to influence the world.
This metagame description is a metaphor, of course.

You have to play a lot of solitaire to get to the level of skill that lets you put your attention to other levels of reality at the same time you are moving cards. I believe that you may have heard examples of that level of skill in music before.


*  Background of the top image is neutrino sub-atomic particle tracings.  They look like arcane alchemist calculations, don't they.


Added 06/24/13:
Q:
"If there is no one recipe for Magick, and no one can know the workings of Magick in a ritual not their own, how does this fit with teaching the young magician -- eg, Hogwarts?"

A:
If magic exists in the real world, it both is and isn't like Hogwarts.

It is like Hogwarts in its similarity to how schools teach a kid to play a musical instrument - fingerings, the proper way to hold the instrument, how to read music. However,in the end the kid isn't being taught music but rather the craft of playing an instrument.

A kid can get 12 years of musical instruction and still be a lousy musician because the music isn't something that is taught, it's something that a person finds in herself and feels compelled to bring out.

The craft of making music is a skill but it isn't the music itself. So too with Magick. The Hogwarts image of teaching young magicians could easily lead to a misunderstanding as to what is really going on.