Showing posts with label Mage Music. Show all posts
Showing posts with label Mage Music. Show all posts

Thursday, July 19, 2012

Mage Music 11 Playlist: Tea For One


Mage Music playlist for 07/22/12 post: No Shortcuts No Substitutions


As always, additional links are appreciated, although according to Dave Lewis, Tea For One was not performed live in its entirety by Led Zeppelin in concert.  More on that on 07/22/12.

Sunday, July 15, 2012

Mage Music: Magickal Interlude

Take a deep breath of enlightenment...


Mage Music 10: A Magickal Interlude

I turned on the radio while driving home from Colorado last weekend, after getting within range of a decently strong station.  I had forgotten to bring my iPod so was otherwise without music for most of the 12 hour drive as I can’t stand commercial radio, but after this many hours on the road I was getting tired and needed something to keep me going.  As usual I was listening for hints of Mage Music – it’s something I always do, though of course I rarely come across it.  Doesn't mean that the music I hear carries no hint of Magick – it could be there, it’s just that I'm not open to hearing it from those sources.  We all have favorite bands, after all!

Anyway, I'm listening hour after hour to stuff that sounds pretty much the same: That fuzzy, high-gain guitar distortion effect, the vocalists belting out lyrics that are a full stop musically, not meant for more.  Song after song, the music was so much the same that it all ended up being white noise after a while.  Truly - I was hearing the same music no matter what the song and what the band, all of it sounding like it could be one group with one big playlist, some songs marginally better than others at best.

The annoyance factor alone was keeping me awake.

Then, a couple hours into this drek, I heard the first chords of Kashmir.  It was like an electric shock. It was like the whole world stopped and took a cleansing breath.  It was clarity, precision, meaning, all there in one soaring, wide-open, no-fooling around Magickal package.  I felt like the sun had come out when I hadn't realized it was cloudy.  I felt like I could breathe again freely when I hadn't known I had been holding my breath.    I felt emotions loosen that had been wound up tightly, and a crazy grin plastered itself across my face.

I felt like I had been sucker punched in the psyche.  It felt good.

I've always loved Kashmir; even though there's no extensive Jimmy Page solos in it.  Still, the melody is based on Mr. Page’s unique and immediately identifiable chord progression, a riff so gripping that it entrances and practically pries open the soul of the willing listener to the Magick.  A riff so powerful, too, that it has been adopted by other guitarists who play it in their own songs, never realizing that that the Magick isn’t in the notes but in the soul of the Mage who conjures the music.

Physical Graffiti
album cover
I've always felt Kashmir is Led Zeppelin's best work ever, and an example of a Mage Musician's work beyond the guitar - precise and incredibly powerful orchestration and production that supports the higher-level content above the notes to produce music that is On Purpose.  Led Zeppelin expert Dave Lewis describes Kashmir as “the finest example of the sheer majesty of Zeppelin's special chemistry”.  [Complete Guide to the Music of Led Zeppelin (1994)]

"Let me take you there. Let me take you there..." Robert Plant sings.  I heard the lyrics totally differently as I drove down the road.  I realized it wasn't an offer to take me to some mythological Shangri-La at all, but rather to a much higher plane. I all but stopped my truck and let myself go.

And then it was over, the silly grin still pasted on my face as the next awful muddle of metal pedal buzz came on.  The ray of light shining through the spiritual cloud of music had been obscured again.  But I had heard.  I had been taken through both time and space for a few moments while driving down the freeway.


Direct links to Kashmir
No Quarter: Jimmy Page and Robert Plant Unledded with the London Metropolitan Orchestra & Hossam Ramzy Ensemble 1994 


Thursday, July 12, 2012

MAGE MUSIC 10 Playlist: Kashmir

Mage Music 10 YouTube playlist for Kashmir.  Take note of the evolution of the music.  Additional links for this song would be appreciated.

The Mage Music blog post will be up Sunday morning 07/15/12 as usual.




Direct links to Kashmir
No Quarter: Jimmy Page and Robert Plant Unledded with the London Metropolitan Orchestra & Hossam Ramzy Ensemble 1994 

Sunday, July 8, 2012

Just what is Mage Music Anyway?

Just a few thoughts written from on the road...  

Mage Music 09: Just what is Mage Music anyway?

I got to thinking about it the other day as I was driving - thinking about the fact that I've been writing here about Mage Music assuming that everyone would of course know exactly what Mage Music is - but it seems that ain't necessarily so.  

But first...
Let's start from this basic premise:  Not all music is created equal.  Not only that, but not all Mage Music is going to be music that everyone likes.  And not all music that everyone likes is Mage Music.

What it is not
Mage Music is not a value judgment about music.  Just because it's Mage Music doesn't mean it's good or bad.  The term "Mage Music" is simply a description of a kind of music, music with a certain additional quality not present in other music (more on this in a moment).  Thus, the following are not qualities that make a song Mage Music:
  • You really, really love a song 
  • Everyone you know really, really loves a song
  • A song has "meaningful" lyrics
  • A song is performed by a great musician or band
  • A song is a hit, on top of the charts, goes Platinum
  • A song gets played on the radio a lot
  • A song is covered by other bands a lot
  • A song wins awards
The realities of Mage Music are that it can move your heart but it can also - even at the same time - be hard to listen to, it can be unpopular, unsuccessful, and/or unnoticed even while it is powerfully and undoubtably Mage Music.

Conversely, just because a song isn't Mage Music doesn't mean it is some kind of lesser music.  It’s OK for music to just be entertainment – in fact, that’s pretty much what music is for and what most music you listen to is.

What It Is
Mage Music contains a quality beyond the usual musical attributes such as pitch, tone, timbre, melody, brilliance, rhythm and the rest, beyond even  "meaning".  This additional quality of Mage Music is connection with the infinite, with God or the gods, with the ineffable energy of All That Is.  If there is a message conveyed in this connection, it is nothing that humans can use words to describe.  This connection is a communion with something fundamental to and greater than humanity that we instinctively seek but rarely ever know.  It is the Force, it is the Light in enlightenment.

Mage Music is music that carries Magick with it to to deliver to our souls.  Magick is another word for the energy or higher power of the Universe (which is why there is no such thing as black magic, by the way: Magick simply IS;).  All things carry some level of this energy, but some things - particularly human art - may carry more of this concentrated, pure, focused and Purposeful energy of the Universe.  Enough of the stuff in music and you have Mage Music.


Mage Music Identification
But still, how can you tell Mage Music from any other music, especially when one person so often disagrees with the next on whether a song is even good music, much less whether it carries Magick?   

Here's a list of things that can help you determine whether there's Magick in a song.  Consider this a "starter" list - some of these may not apply to you, or your  experience of Mage Music may be very different.
  • You can’t not pay attention when you hear Mage Music - it''s not possible for it to be background music; your attention is pulled to it
  • It thrills you each and every time you hear it, no matter how often you've heard it
  • You aren't quite always sure if you actually enjoy the song even as you feel compelled to listen to it
  • You experience some sort of hugeness or weight to the song beyond the music itself
  • Sometimes you can't listen to it because it's too huge or heavy
  • It doesn't matter if anyone  around you is digging the music - in fact, it might be easier if they don't even notice the song is playing
  • The Magickal part may not be – probably is not – carried in the lyrics
  • You can’t predict from the musical score, the lyrics or reviews, or anyone else's comments whether it is Mage Music – the Magick must be experienced by you personally
  • When you hear the song, you "listen" with more than your ears.  It feels like the music resonates in your heart and soul, and that your whole body is on alert and paying attention
  • When the song is over, you feel like your soul has been dazed and confused and otherwise well-used - not an entirely comfortable feeling but one you seek over and over again.
People have their own individual reactions to Mage Music.  One for me is that I get a sort of shiver up my spine when I'm hearing it.  I'd be interested in finding out how other people know it when they hear it.

And so what?
Why does it matter if music is Mage Music? Maybe not much from the musician's perspective, since carrying Magick doesn't translate directly into sales, though it can help.  From the mage’s perspective, given that music is one of the most powerful and most accessible forms of affecting human beings there is, then Mage Music is one of the most powerful tools there is for impacting certain aspects of the human soul.  The trick is, however, that not just anyone can get the Magick into the music.  You might be the worlds greatest musician, but that doesn't make you a mage.

Hmmm - that does bring up the question of what a mage is, doesn't it?

---

I'm recommending listening to Jimmy Page's solos for Thank You that he's played over the years - not because they are particularly relevant to this week's Mage Music blog topic but because I like the song very much.  Any additional links to Thank You would be appreciated.


Individual versions:


Friday, July 6, 2012

MAGE MUSIC 09 playlist: Thank You

Mage Music 09 YouTube playlist for Thank You.  Take note of the evolution of Jimmy Page's solos.  Additional links for this song would be appreciated.

The Mage Music blog post will be up Sunday morning 07/08/12 as usual.

Thank You YouTube Playlist


Sunday, June 10, 2012

Mage Music: Ritual is not Magick


A black robe with a black cat looking on, a few candles and props, a chanted spell and a pass with the wand:  Magic?  No way!  On stage, maybe - but that's not real magick at all.

The truth:  Even when they use tools, today’s occult magicians and most other reality transforming professionals don't perform rituals like they did in the olden days.  In spite of what you may have learned from Harry Potter, real magic doesn’t require wands, spells, magic potions and powders, pentangles, crystals or any other prop to make the connections with the energy that will do the heavy lifting.  Still, all those things and more can be used to create magic - even if they are just tools that make the job easier.

The need to use specific tools of magic is indirectly proportionate to the skill of the mage. What this means is that a powerful mage can use anything – or nothing at all – to bring about transformations in the world, whereas a lesser magician can become dependent upon ritual, on the use of tools in a formulaic way to focus the mind and keep the will of the magician on task.

The reason rituals and magical props are not intrinsically necessary is because rituals are not the magic itself.  The fact is, anyone can use the recommended magical tools and perform the prescribed rituals with them, but only some will get the desired magical results.  Even the most highly skilled practice of ritual can never achieve the same level of results as a gifted mage who isn’t even half trying, because magical success resides not in the ritual but in the person performing the magic.

Lascaux, France paleolithicave painting

A little history
One theory of art history is that cave paintings, petrographs and petroglyphs were not art so much as summonings, blessings, and/or entreaties to the spirit world for success in the hunt.  The Lascaux cave paintings are around 17,300 years old and petroglyphs sites in Australia have been dated at 27,000 to 40,000 years old.  Undoubtedly the first human music consisted of humming, whistling, and singing; rhythm-keeping in the form of clapping or drumming must have occurred early on as well.

Music is powerful.  We don’t need science to tell us that music can evoke strong emotions and changed states of awareness (although science can, in fact, tell us how that works).  Shamanic drumming has its modern-day counterpart in trance music; a young child can tell the difference between happy and sad music; words that are used to describe music also are used to describe spiritual experience.  There has always been something magical about the application of paint to canvas or stringing one word or one musical note after another and having the end result be something that has meaning above and beyond the physical object.  For some practitioners of the various arts, the result is also magick.


Performance vs. creation

Jimmy Page is often referred to as “The Master” or “Mage”.   Magick or music - the honorifics acknowledge the quality and quantity his gift and his expression of it.  Yet performance itself, no matter how dazzling and technically excellent, does not a Master make.

Jimmy Page is definitely a master musician.  The YouTube playlist provided here includes selections of original music of Mr. Page's over a 15 year period from 1983-1998.  These songs were chosen to provide a powerful example of the skill of a musician at the level of mage.  Please note that some songs have solos that I have identified for particular consideration (also scroll down for individual links).

While any search of YouTube will yield numerous young guitarists (and some not-so-young or unknown) who have performed Jimmy Page’s tracks from various songs, none carry the magic of Mr. Page’s own work as he performs it.  Many can play the works of Jimmy Page's with technical excellence that may surpass his own technical skills, but none of it is magic.

“Music is an outburst of the soul.”  Frederick Delius

Jimmy Page, as has often been noted by his detractors, can be a sloppy guitarist and even off-pitch, yet somehow the magic is still there.  This is because ritual – musical technique – is not the magic.  You can listen to far more technically accomplished guitarists and be left cold.  Magic comes about as a result of the desire and will of the mage, not technique.  Jimmy Page plays music and makes it his own - he is always creating, not simply performing.  The music he produces is the result of focus of his desire and will; he is not merely producing a sequence of notes on his guitar that he has produced before, that anyone can produce – he is creating a new state in the world that matches his inner vision.

Each of the songs in the playlist is different, but each at its core expresses a certain Truth.  The expression of that Truth is magic.


It is highly recommended that you do not watch the videos while listening to the selections below. Concentrate on the sound for there lies the magic.


1983  Midnight Moonlight Live, ARMS concert with Paul Rogers [note particularly 3:23 – 5:15]
1988  Emerald Eyes Studio version, Outrider
1988  Writes of Winter Studio version, Outrider 
1993  Saccharin Unreleased, Coverdale/Page  [note particularly 2:50 – 3:16]
1998  Walking Into Clarksdale Live,  La Cigale Paris March 30 [note particularly 4:22 – end]