A Million Monkeys

“Your brain on music is a way to understand the deepest mysteries of human nature.”
~ Daniel J Levitin, This Is Your Brain on Music: The Science of a Human Obsession

Mage Music 56

This post is a mix of a few different things that at first might seem not seem connected but at a deeper level really are. I want to share some questions that have been asked here as well as on the Mage Music Facebook page, and then there's my, um, unusual playlist that I have a few things to say about.

So here we go with questions first, though not necessarily answered in the order they were asked. Sorry.

Genius

Q: What exactly is a genius? Is it true that if you can bring Magick into music you must be a kind of genius? Are all Mages geniuses? Can an artist be a non-genius and still create Magick?

A: A Kind of Magic (I got an earworm from reading the question).  First, let's lay out a few basic concepts. Let's agree that a genius is a person who is exceptionally intelligent or creative. And let's agree right from the start that Jimmy Page is a musical genius since there is no doubt that he is exceptionally creative. And there's no doubt in my mind that the music of Jimmy Page carries Magick in it and probably there's no doubt in your mind either since you're reading this, so let's take that as a given, too.

But are genius and art and Magick connected? 

Well… yes and no. I believe that an artist can be a non-genius and still create Magick. That's because I don't think there is a cause/effect relationship between genius and Magick (or art and Magick), but rather that they are similar expressions of the human soul. You can't lump the two together, making one a product of the other, because Magick can stand alone without art.  Plus, I think there are some pretty darned dumb Mages out there - artists, too.

Anyone can create Magick to some degree - at least if they do it right. Magick doesn't require intelligence or creativity - it does, however, require powerful desire and will and a certain skill in the performance of ritual.

Maybe not so coincidentally, it takes those things - desire, will and skill - for art and genius to express themselves in the world, too. That's because while it certainly appears that people of extremely high creativity and intelligence have something extra going for themselves, just having a gift doesn't automatically result in use of the gift to its fullest or highest extent. A gifted person can be a slacker just as well as the next person can. So, while it might be easier for a genius to do Magick, that doesn't mean they will do Magick - or anything else - not without actually working towards it.

Which brings up the monkey business

Q: Can a Mage own the magic without be aware of doing it? Or is just because of his particular being?

A: Magick is all about choices and manifesting with purpose.  A Mage is, by definition, a person who chooses to do Magick, which is purposeful transmutation of reality. An artist is also a person who chooses to purposeful transmute physical reality. But... the short answer to your question is sort of but not really.

You can't do something on purpose without being aware you're doing it.

The infinite monkey theorem states that a monkey hitting keys at random on a typewriter keyboard for an infinite amount of time (or an infinite number of monkeys typing for a specific amount of time if you want to get this done sooner) will eventually produce the complete works of William Shakespeare. This is assuming that the monkeys aren't aware they're supposed to be writing plays and don't stoop to plagiarism.

Artists and Mages work hard to achieve their results.  They like credit where credit's due.  Artists don't want people to think they create their art by accident.  Still, a person with sufficient desire and will and skill - a person such as Jimmy Page, for instance, or any person who has worked hard to develop those components of creativity - could and probably does also manifest Magick without being consciously aware of it, but not because it's by accident. Owning the music, owning the creation, means owning all of it, including the process of creation, and the process itself requires active and purposeful involvement. The musician may not have intended his music to carry Magick - that might indeed be a bonus - but he certainly intended to create the music itself, no accident there.  And given the similarity of the components - desire, will, skill in ritual - and given how suitable music is for carrying Magick... well, then you get Jimmy Page, who may or may not be purposefully manifesting Magick, but he's purposefully creating so it makes no difference, does it?

Check out this week's playlist, for example. Some of the sounds created by recording cosmic radiation sound pretty good. There are moments during them that sound almost purposeful - but the moment Jimmy Page's music starts, you know there's a human hand at work. That's because cosmic radiation sounds, no matter how beautiful, aren't actually music. Perhaps a higher level of being has created them on purpose - but that purpose is not knowable by humans, and therefore there is no meaning to the sounds and they are not music.  Non-music can suggest music, but it can't be music.

Music from other realms

I've created a kind of strange playlist for this week's post, recordings of cosmic radiation and other space anomalies that are converted through instruments into audio signals.  These tracks alternate with Jimmy Page's soundtrack for Lucifer Rising.  The thing that caught my ear is that the space recordings were all made decades after Jimmy Page recorded Lucifer Rising, and yet they are so similar that you have to wonder just where and when Mr. Page's soul was traveling back then.

The combination is actually very eerie and the final one, the recording of the sun, seems creepy to me. How cool.

Also, I just had to include that link to Queen's A Kind of Magic in the post above.  First, I had to because the phrase in the question reminded me of it; second, if you want Magick in your life you've got to listen to your intuition; and third, Brian May certainly knows something about musical genius and Magick.  Not to mention the great Freddie Mercury, who, ironically, felt that you either have Magick or you don't - you don't work up to it.  I have to respectfully disagree.  But that's another tale, another time and place.

♫

Full Playlist (note that some videos have a no-sound text introduction and conclusion).
NASA space sounds
Lucifer Rising track 1
Sounds of the Planet Mercury
Lucifer Rising track 2
NASA Voyager recordings
Lucifer Rising (Incubus)
Earth sounds from space
Percussive Return
Sound of the Sun

SymbolicallyYours

“…knowing the notes isn't enough. You have to know how to play them.”
~ Patrick Rothfuss, The Wise Man’s Fear

Mage Music 55

Designing ritual is like building a skyscraper, as I discussed in the last post.  Both require solving one finite component of a complex issue at a time.  Both ideally begin with a strong foundation upon which a sturdy framework and solid layers are constructed, and only at the end is the ornamentation added.  Of course, neither ritual nor a skyscraper must absolutely be constructed that way, but if they're going to support any real weight at all for any length of time, it's best to start from the bottom up and do it right.

A structural engineer or architect works from specifications that can be generally known in advance. The specs for location, materials and the construction methods can be codified, and there will thus be similarity in basic construction from one skyscraper to the next if they are constructed within the same time period.

The challenge for a Mage, however, is that the components of ritual will not be known well enough for specifications to exist, and rituals with similar goals may not be similar in appearance at all. This is because rituals are generated from and are an extension of the Mage and the components have meaning of personal rather than external significance.

Ritual objects

Ritual should not be confused with ceremony, which is a series of acts performed according to a traditional form. Ritual of Magick must be new in essence every time it is performed because all facets of the world in which the manifestation is to occur are constantly changing. Owning the ritual - generating the symbolism personally - is key to successful Magick. This means that simply adopting the use of symbolic objects and acts from other rituals that have no personal meaning for the Mage most likely will not generate the intended result.

When it comes to ritual - and Magick in general - one Mage's truth does not have to be truth for the next. Furthermore, what the rest of the world believes to be true doesn't have to be truth for a Mage's either. Good thing, since much of the world won't even admit that Magick exists other than as stage tricks.

Mythologist Joseph Campbell defined a symbol as an energy evoking and directing agent. He said that symbols have three aspects: that of the thinking mind, of the unconscious mind, and of the "ineffable of the absolutely unknowable". The first aspect can be consciously known by the Mage, the second can be felt through emotion, and the third is known only indirectly as a Mage's connection with the energy of the universe.

As a symbol, the physical specifications of a ritual object are not as important as how pure, personally meaningful and emotionally loaded the object is for the Mage. While anything will do, obviously some objects will not work in a ritual - either because they don't have physical form or because the physical form is inconvenient or perhaps doesn't even exist. No matter, because it's the meaning of the symbol to the Mage that is the important thing.  Unfortunately, not only does meaning have many layers, it is a squirrely thing that can't exist nakedly on its own in the human universe. With the meaning changing as the Mage changes and the reality of the world changing as it will, it's obvious why the old adage of KISS (Keep It Simple Stupid) applies. The successful Mage has to develop symbols that he is attracted to and that he can manipulate without losing the meaning of as the ritual progresses.

This is why a Mage who works through music needs to own the music - ownership not in terms of the law of man but in terms of the law of Magick.  It's not enough to simply know the notes and to play them well.  A Mage musician has to know the notes as he knows his own soul, and to perform them each in a place made sacred by intent, without error of desire or will, and freely offered to the Universe.

♫

Here are links to two versions of the same song, When The Levee Breaks, yet with so different a sound they could be different songs. Of course, part of the explanation for the difference is that the kind of music Led Zeppelin was doing wasn't invented yet - but what's more important is how Led Zeppelin made this song their own. This is how the Magick comes.

YouTube Playlist

When the Levee Breaks, Memphis Minnie (1929)

When the Levee Breaks, Led Zeppelin  (1971)

Form Follows Function

"It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law." 

~  Louis H. Sullivan

Mage Music 54

Louis Sullivan (1856-1924) wasn't an occultist, though you might think so from the above quote. He wasn't a theologian or philosopher, either. Mr. Sullivan was an architect. 

Mentor to Frank Lloyd Wright and called "father of the skyscraper", Mr. Sullivan was a visionary who coined the phrase "form ever follows function". The shortened version we are more familiar with, "form follows function", is fully stated as the aesthetic credo quoted above. Things are known by how they manifest in the world.  

When Louis Sullivan put forth his ideas in his article "The Tall Office Building Artistically Considered"(Lippincott's Magazine, March 1896: 403-409), he was discussing a new approach to architecture that addressed the engineering problems associated with buildings that went up, way up. He understood that the old ways of doing things could literally not support the new needs.

Form follows function means that to bring about the true manifestation of a thing, the shape should express what its purpose is, but Louis Sullivan was also talking about much more than skyscrapers. New function goes hand in hand with new aesthetic freedom as well. 

More or Less

Obviously the forms of things don't have to be shaped by their functions. We love all the embellishments - the different colors and looks and sizes - knowing they're all just icing on the cake and that none of it has anything to do with the function of the objects that have been so decorated. If we didn't love the flash and the bling, the meaningless difference, we wouldn't crave - much less put up with - all the options for cars, computers, clothes or covers for iPhones.   

In the world of true manifestation, though, even the ornamentation needs to be in alignment with function. Sometimes even a little more is just too much. This is true with music as well as Magick.

I remember thinking, back in the late 1960s, how amazing it was that Cream and The Jimi Hendrix Experience could put out such a rich and complete sound with just three musicians each. I also remember being very disappointed with bands whose music was full and deep on their albums, but that on stage came across like skim milk compared to the recordings. For them, what was created using multiple tracks and engineering in a studio was not duplicable live. Needless to say, Led Zeppelin wasn't like that - there was just as much live as there was on the albums, if not more.

That's because every component of Led Zeppelin's music, whether on stage or recorded, was an expression of the function of the ritual of the music.  Every beat, every riff was an expression of the song's purpose. Every component of each performance was essential.  And every musician's input was crucial to the construction of the ritual.   

In his comment on the Page/Plant tour of 1998 on jimmypage.com (On This Day, May 18), Jimmy Page said: "With a stripped-down line-up ... it gave us more freedom to explore and re-work the songs, without the orchestra and supplementary musicians ..."

Not only can more be too much, more can't always make up for a missing essential.  The Magick of Led Zeppelin was in the alchemy of those four musicians, and adding more musicians down the line could not recreate the true manifestations of the missing members of the band. Life is recognizable in its expression. It can't be simulated; it must be a true manifestation of the purpose.

Designing Ritual

While objects and actions of ritual - Magick or music - that come from elsewhere can be used as inspiration, in fact true manifestation comes from expression of the Mage's own desire and will. That means that using ritual from some other source, no matter how successful it is for the other source, is not necessarily going to manifest anything for the Mage that he intends until all the objects and actions become his own.

Thus, creating a ritual starting from scratch is in a way easier - or at least less risky - than starting with a pre-existing design. When all component parts have to have meaning and form within the function of the intended purpose, using enough of the wrong ones leads to failure.  The notes, pitch and all components of the melodies, riffs and rhythms of music and the ceremonial objects and actions of Magick have to be the right ones in the right quantities and they have to express the function of the performing musician's or Mage's intended purpose - not some other band's or Aleister Crowley's.   

No substitutions!  Original work only!  No grading on a curve!  According to Louis Sullivan, it's the law. 

♫

Note:  As always, use of the masculine gender is not meant to exclude the feminine.

  

Construction Zone

If the Universe doesn't listen, chances are it doesn't know what you're saying.

Mage Music 53

This post begins my second year of Mage Music. Those of you who have been following it probably realize by now that what I've been writing about is not just the music of Jimmy Page, nor even just the Magick of the music of Jimmy Page. I've been mostly writing about Magick itself - how it works, why it works. How it's not an exclusive, mysterious thing but rather a force of the Universe that can be mastered with sufficient desire, will and skill.

I’m using music because it’s such a perfect vehicle for Magick, and Jimmy Page’s music because it is so lushly Magickal. Plus it’s just great music to listen to.

I plan to continue writing about the how and why of it all this year, too. Note that the past posts here on Mage Music are the foundation for what’s next, so if you don’t understand what you are reading, please go back through the archive. Of course, if you don’t understand, it could just be that I’m not explaining well, in which case just ask for clarification!

Constructing ritual

Ritual is the skill part of Magick. It is the "what you see" part (or "what you hear" in the case of music). Driven by desire and will, ritual opens the channel to the energy of the Universe - the Magick. Even though the desire and will are no more and no less important, because ritual is that part that can be most readily perceived, it is what most people consider Magick to be all about. That is a mistake, of course, and one that a Mage can't afford to make. 

That's why Mages aren't a dime a dozen, because with Magick everything counts. And there's a lot of everything to be counted.

Be specific

The biggest cause for Magickal failure is when a Mage is not specific or comprehensive. This means that not only do desire and will have to be powerful and steady, but the ritual has to be perfect.

In nature all component parts of a system work together. Evolution is harsh and anything that doesn't contribute to successful survival won't continue to exist. Anything that is successful - meaning anything that thrives rather than merely survives - is a thing that is comprised of the components most suited for the environmental slot it is in.

So too with Magick. There is not much point in a Mage working with a ritual to create a change in reality that can't survive. The Universe doesn't second-guess what a Mage wants, so not only every aspect of ritual has to be perfect but the change that the Mage wants to manifest must be realistic within the environment it is meant for. A Mage can't manifest a fish without manifesting water and a container for the water - unless the fish is meant for sushi. 

Part of the job of perfect desire is envisioning a specific goal. Even Captain Picard couldn't just say "make it so" without there having been perfect preparation already in place. Thus a Mage must be extraordinarily clear about what he wishes to manifest. The desired change that is the Mage's goal cannot be what isn't or only approximately what is - it must be exactly and fully what is to be.

That's hard enough, but there's more.

Be complete

Magick is tapping into the energy of the Universe, channeling power to create change in the world, shaping a new reality. Specificity of desire and will together are like the starter motor for the engine of Magick, which is ritual. And if ritual is what makes Magick go, then the ritual had better be put together right or it won't get the Mage where he wants to be.

Kirk: Spock, where the hell’s the power you promised?
Spock: One damn minute, Admiral.
   -Star Trek IV: The Voyage Home

Like an engine out of timing, a tire out of balance or a gear shaft that wobbles, if any one component of Magick is out of whack, the whole thing will eventually fall apart and leave the Mage no closer to manifesting change than if he had done nothing at all. The real world isn't like the Enterprise, that can nearly shake itself to destruction yet still achieve warp speed.  Desire and will plus the physical objects and actions used in a ritual all have to be in tune with each other and be in tune with the end result.

This means that every object and action of ritual must be not only be present but meaningful. There is no extra credit for extra, useless parts because they'll just clog up the works. In fact, the more stuff of a ritual, the more likely the Mage is not going to manifest anything but a mundane mess. In Magick, less is definitely more.

Clarity of purpose, completeness and...

Neatness counts

Just kidding.

♫

YouTube Playlist:  Since I've Been Loving You 
Ten videos, 1970 through 2007.

♫

Next time (or the near future):  Designing a ritual

A Year of Music and Magick

"We had been taken somewhere and brought back and we were different people..."
~ Terry Pratchett, Snuff (Discworld)


Mage Music 52

A little over a year ago I posted my first article to this Mage Music blog.  I really didn't know what I was going to write about, but I knew that there were questions I had that needed answering.  I was pulled towards the music of Jimmy Page.  There was a depth to it that spoke to me in a language that was beyond words.  It was... vaster, more meaningful.  It was the essence of emotion... primitive, essential and powerful.  I wanted to connect with that, but first I had to know it.

I confess that part of the reason I wanted to write was because I couldn't seem to find anything about what I wanted to learn anywhere else.  There is so much to say about Jimmy Page's work, but I wasn't finding anyone writing about what I was interested in reading about, which wasn't the drugs, sex or excesses, the outfits, his facial expressions or his hair (sorry if that offends or disappoints, but there it is).

And of course, people like to natter on about Mr. Page's connection with the occult, specifically the work of Aleister Crowley. To me that wasn't the right direction.  Yes, there was Magick in the music but it was so obviously Jimmy Page's own Magick - not someone else's - that I didn't see the point of looking to anyone or anywhere else for answers.

So I have spent a year exploring the concepts, delving into understanding the basis of Magick across disciplines and focusing on music as an expression of Magick.  I used Mr. Page's work as inspiration for the words I wrote.  I came to understand that I was translating from not only another language but another reality, and the result could only ever approximate the depth, the beauty and the mystery of what I sought. Still, the music compelled me to keep trying.  Or maybe it's been the Magick doing so.

It took me somewhere and made me grow

Over the course of the year I listened to so much of Jimmy Page's music that I began to hear it in an entirely different way.  The beauty and mystery that had always called to me now was speaking to me with a meaning that I could almost comprehend, but that remained elusive.  I knew I would understand if only I listened just a little more closely, a little more carefully, so I really listened, focusing on what I was hearing at the root rather than at the surface.

What I was hearing was the Magick that was speaking through Mr. Page's guitar, of course.  I came to understand that I was never going to understand it with my thinking brain, because Magick is meant for a deeper part of a human than that.

I'm no musician, I'm a listener and I'm a writer, so I finally just let the mystery of the music flow past my brain and into my heart and soul to inspire me and push my own creative process.  I found myself writing much more than I ever had before, and about things that that I didn't know I knew.  The music of Jimmy Page has taken me to times and places I'd never been before in my own work - a process so exciting and so inspiring that I plan to keep going there.

♫

The job of the artist is to recognize the truth of All That Is and to fairly represent it to the best of his ability. The tragedy of the artist's lot is knowing that, no matter how skilled he is, the artist's creation can only ever be an infinitesimal aspect of All That Is.  And the triumph of the artist is that he keeps doing it anyway.

Here is a Kashmir playlist - because the Magick is right there.

♫

I hope you have enjoyed reading these posts as much as I've enjoyed writing them this past year.  I hope you won't mind if I keep on writing them, too.  I've got another big project in the works that I'll be talking about in upcoming months, but you can count on Mage Music posts every week as long as the music has Magick. I guess that'll be for a while.

As always, thank you Jimmy Page

Accidental Mage

“The fact that [certain mages] were famous in mainstream circles was just a strike against them. By the standards of magical society they'd fallen at the first hurdle: they hadn't had the basic good sense to keep their shit to themselves.”
~ Lev Grossman, The Magicians: A Novel

Mage Music 51

Not everyone who seems to be a Mage is really a Mage.

 
These things do not mean a person is a Mage:

1. Other people think that person is a Mage.
2. A person follows a particular philosophy that focuses on or embraces Magick or the occult (e.g. Thelema, Wicca, Kabbalah).
3. A person engages in practices associated with Magick or the occult (e.g. augury, fortune telling, scrying, tarot reading, rituals).
4. A person can actually use Magick to change reality.

Not Mage

Not everyone who is popularly thought of as being a Mage is really a Mage. Being a Mage is a whole person thing, not a job or hobby. "Mage" is a description of a person's state of a being, not his skill set.

A Mage is merged with Magick, and in his mind the difference between the inner world of Magick and outer world of reality is necessarily rather fuzzy. Just because a person studies Magickal theory or performs the practices doesn't mean that Magick has infused his very soul, any more than just having an MD makes a person a healer.

A person isn't necessarily a Mage even if clear acts of altering reality are witnessed. What would have been seen is one instance of Magick, not necessarily the act of a Mage.  After all, ordinary people are able to do Magick, too - Mages don't have a monopoly on Magick.

You can't just ask the person in question, because if he's real he probably won't want to tell you.  And of course, even if he was willing to admit it he might not understand that he is a Mage, particularly if the Magick comes through the act of creation known as art.

Accidental Mages

The principles of Magick hold true across all disciplines and rituals that are used to change reality, but nowhere is Magick so unconsciously and accidentally evoked as within the area of creative arts, particularly music.

Music that carries Magick is produced by a very few musicians. Even fewer of those who do so are aware they are doing it - or care. Any artists' purpose is art, not the practice or the study of Magick. However, when an artist sufficiently merges himself with the music (or painting or whatever medium) and his desire and will are powerful enough, the act of creation is ultimately no different than any formal ritual of Magick.

Intense desire and will applied to any ritual submerges the performer into the ritual so that nothing else exists but the now of the Work. This is what it takes to change reality, whether it's the alchemy of chemicals or of musical notes.

The beauty of Magick is that anyone can do it, but like with a great musical performance, not everyone can do it so consistently and so well that they live it in their bones, their cells, their soul. The difference between the person who can perform discrete acts of Magick and a Mage is the difference between oh, you and me and Jimmy Page.

Mr. Page has always maintained that his music says everything there needs to be said about him.  If he is a Mage, he has the good sense to keep that to himself and let the music be the Magick.

Can you hear the Magick?  Case closed.

♫

Nattering on:

I listened to Led Zeppelin's Madison Square Garden show of Wednesday Feb 12, 1975 while working on this post. That made writing the post a very slow process, indeed, since I kept stopping to listen closely to the music.

That show was just prior to the release of  Physical Graffiti and when Mr. Plant introduces Kashmir, the audience doesn't go wild because they didn't really know what it was.  That seems so strange now!

"We came four blocks in the snow to get here, do you realize that?" says Robert Plant.  Funny guy.

By the way - Amazon.com gives free MP3 downloads when you buy CDs. A good deal - 2 for the price of one with no copyright guilt.

No Fear

"A mirror reflects visible reality without judging it."
~ Gerd Ziegler, Tarot: Mirror of the Soul: Handbook for the Aleister Crowley Tarot

Mage Music 50

By far the most certain impediment to successful Magick is fear. Together with its other insidious incarnations (doubt, worry, panic, hate, anger and the full spectrum of negative emotions), fear inhibits the process of Magick. Fear in itself isn't a bad thing - after all, negative emotions are meant to be a natural and useful part of the human survival mechanism - however, if negative emotions are present during Magickal process, they will impact the outcome in ways that are most likely not desired. In other words, what a Mage fears, dreads, hates or is just plain worried about will be included in what the Universe delivers.

We all know about this - that's why we don't look in the closet where the Bad Thing is hiding, and why we don't talk about the monster that is under the bed. We are given to know from birth that we have the power to project thought in a way that the Universe will respond to. Even if we don't purposefully use that knowledge, we still have an understanding early on that we don't want to give power to our fears by even acknowledging them. For a Mage - a person who purposefully aligns desire and will and ritual so that the Universe will respond in a specific way - allowing any undesired emotions to color the outcome can have terrible consequences.

Spiritual but not holy

Life isn't perfect and while we are spiritual beings in physical bodies that doesn't make us holy.  After all, if we were, there wouldn't be any need for Magick.  As it is, there are probably no humans walking around who don't experience negative emotions of some sort, no matter how evolved they are.

Going forward with Magick in the presence of negative emotion is clearly not a good idea, but negative emotions can't just be pushed through or pushed aside during a Magickal ritual as if they didn't matter. There is no benefit for Magick in carrying on in the face of fear, no point in being brave - because you can't fool the Universe.  The reality a Mage manifests through Magick reflects his actuality in full, not just the good parts.

Clearly the business of dealing with fear is something that needs to take place outside of the sphere of Magick, but it must be dealt with in the same way that a mirror reflects reality - without judgment. Fear (using the term broadly to include all the negative emotions) is useful.  It is a product of holding thoughts and feelings that are not congruent with specific desires, and so for the self-aware person the presence of fear can help identify more clearly the areas of the current desire that are weak.  Identifying the fear rather than being ruled by it, and letting the emotion point to a more positive direction, will negate the power of the fear and strengthen the desire.

Transforming negative to positive

"In the past I used to think I was nervous but it's the adrenaline tap switching on really early." Jimmy Page, 2012 Absolute Radio interview

Jimmy Page understands how to redirect negative emotion into positive. Nerves and stage fright are no friends of any musician if those negative emotions are allowed to run amok long enough in the musician's psyche. Focusing and dwelling on negative emotions encourages reaction rather than action, and reaction to fear is not subject to conscious control. Desire and will and ritual cannot overcome involuntarilyy freezing like a deer in the headlights. A musician and/or a Mage must be in the zone, able to open to the Universe, not closed up in self-protection.

For the Mage, no fear is not the same as not having fear - it is a matter of not being ruled by fear.  A successful Mage will take fear and transform it into a strength, for the Magick will faithfully reflect all that a Mage is.  Practical alchemy in action.

♪ ♪ ♪

Listen to Houses of the Holy (Physical Graffiti) if you're feeling a need to be reminded to heed the music's call.