Showing posts with label so mote it be. Show all posts
Showing posts with label so mote it be. Show all posts

Thursday, September 11, 2014

It’s Your Life

Why don't you take a good look at yourself and describe what you see,
And Baby, Baby, Baby, do you like it?

~ Led Zeppelin, Misty Mountain Hop 1971

Mage Music 87  
Mage Music 87 Its Your Life jimmypagemusic.blogspot.com

One thing that most teachers are pretty sure of is that it’s their way or the highway. You see that with Magick, of course, though it’s not just the Masters of Magick who expect the students to follow directions in lock step.

It’s true in music, too, and all the arts. It’s true on social media and it’s true in society and basically everywhere you look.

Just about everybody wants to be an expert, an artist, a creator -- yet few dare step out of the herd far enough to show what they can do because they will be challenged. The only way to avoid being challenged -- and derided, which seems to be how challenge works mostly -- would be if everyone was just like everyone else. And what a boring world it would be if we humans really could stand to live that way.

But we can’t. In fact, we are always looking at what we see in ourselves and – more often than not – deciding we don’t like it. We decide to change who we are but then we look outside, to teachers who supposedly know more.

That generally doesn’t work so well.


When the student is ready…

It’s one thing to learn a how to do something from someone who knows how to do whatever it is better than you do. The more expertise an instructor has, the more the student can learn. But learning how to play the guitar doesn’t mean you are learning how to create music. Learning how to read and write doesn’t mean you are learning how to create a novel or a poem. Learning how to do something isn’t the same as learning how to be who you were born to be.

They say you can lead a horse to water but you can’t make it drink. Generally that’s understood to mean that you can’t force it to drink, which is true -- but the real meaning is that you can’t force the horse to choose to drink. Only the horse chooses.

Only you can create who you were born to be. If you choose, you can use many tools to do so. One of them is Magick.

But how do you do Magick? Who do you believe? What do you believe?


The uphill battle starts early

Problem is, it’s too easy to take someone else’s opinion on what you should do or how (or who) you should be. There’s a lot of pressure coming from everywhere to bend to authority and to peers. It starts early, with parents who want to protect their children by choosing for them. From the very first day of school kids are taught to follow directions, and teachers don’t have time to allow for kids to learn by seeing where the wrong path will take them. After that it’s teen years with the pressure to fit in, to belong. And after that, well, the habits of conforming are hard to break, and there's little outside encouragement to do so.

Trouble is, all your life probably all who have been your teachers have taught what you should do without ever teaching you how to be the person your born to be.


Magick in your life

They also say that when the student is ready, the teacher will come. The teacher is, of course, you -- but you have to choose to believe that.

Somewhere along the line most people do learn how to start making choices based on their own desires, but for most those choices are limited in scope. Most people live reactive lives most of the time, letting the circumstances they encounter dictate which paths they take. For some, though, the need to create original works – of art or knowledge or discovery, including becoming the self that you choose – overcomes the powerful outside pressures to conform. This means approaching life very differently.

The creative act requires opening from the inside, opening to the inside and then through to the other side to let the energy of the universe flow back up that pipeline to manifest in your personal reality.

If you don’t know who you are, you are creating blindly. If you are creating blindly, you can’t know if you are creating your own work or if you are in fact creating at all.

If you take someone else’s word for who you are, you aren't creating your own work -- you’re simply assembling someone else’s vision.

Creating art or creating a new personal reality – it’s all the same. It requires understanding that if it’s going to be your life, it has to be your choices that create it. That means taking a good look at yourself, acknowledging all that you are – the good and the bad, the attractive and the ugly - and accepting that it is there, that it is you, and that it is, in the end, all perfect. 

This is the first and most important step. You can’t change what you don’t know about. And then you boldly go where you've never been before.  

Know Thyself.  Then Do What Thou Wilt.  Other people's words, but they're true. 

Saturday, February 23, 2013

All In Good Time

The Mage musician's first notes begin to weave the spell.  It becomes harder and harder for the listener to focus on the guitar’s individual sound as the ritual builds.  The music becomes ripe with meaning above and beyond lyrics or melody…  and then suddenly Magick bursts into the world. 

Mage Music 41
Mage Music 41 - All In Good Time jimmypagemusic.blogspot.com
Mage Music 41 - All In Good Time

Oh please.

In the movies and sword & sorcery books – and in wishful thinking - people believe that all it takes is waving wands or casting spells and then some Magick happens.  Sorry – that is just fiction, not reality. Even the greatest ritual, fueled by the most powerful desire and will, doesn't get Magickal results just like that <snap of fingers>.

Yes, the description at the beginning of this post is real enough – as far as it goes.  The thing is, Magick is not just the song you hear or the ritual you see, and Magick doesn't happen the moment the Mage says so mote it be.  

When you’re taken up by the Magick of the music - or the movie or novel - it's easy to overlook the fact that the real-life back story would have to include how long it took the hero Mage (or the bad-guy sorcerer) to reach the level of proficiency needed to get to that point.  Even if some of the months or even years of struggle to master the skills is depicted on screen or in print, having to actually sit through a the truth of all that hard work (work that is likely liberally sauced with failure) would be boring enough that you'd demand your money back.

Fiction can skip all the slow parts, but reality can't.  The reality is that little Jimmy put in hour after hour learning to master his guitar, taking days and weeks and months and years to prepare for stepping onto the stage and "effortlessly" creating Magick.

Time is of the essence

One of the defining aspects of ritual is time.

Dealing with time is an art in itself.  The infinite is timeless and all things that can happen in reality are happening at the same time.  Magick is, among other things, an interface between the finite and the infinite, and thus Magick partakes of the timelessness of the infinite to a degree.  It is the sequentiality of time on the human plane that keeps things from happening all at once, including in Magickal ritual.

Humans, even Mages, can’t help being stuck in sequential time, but that is a good thing.  Without sequential time we would not have music.  Inherent in movement is stopping, inherent in sound is silence. Thus, part of the art of dealing with time is knowing when to pause and when to stop – to know when enough is about to become too much.

The Mage begins the Work long before the first note of the guitar resonates in the world.  The requirements of the ritual have shaped the preparation; the preparation provides the momentum that builds over time until the point of change is imminent.  Only then is the first note of ritual sounded.  The ritual must take only the time needed to tip the momentum into change. More than that is too much, for Magick happens in its own good time. Amen.