Showing posts with label process. Show all posts
Showing posts with label process. Show all posts

Saturday, September 14, 2013

The Journey is a Trip

“I am a traveler of both time and space”
~ Kashmir, Led Zeppelin, Physical Graffiti 1975

Mage Music 70
Mage Music 70:  The Journey  jimmypagemusic.blogspot.com


Magick is such a trip! No, not the kind you do with chemical assistance but the kind of trip that is a journey. Magick is a process like a journey in that it's not just about arriving at a new place, but about the whole experience of getting there.

When it comes to Magick, every aspect of the journey from initial desire to end result matters.  Beaming down to a planet's surface is not a journey.  No matter what the movies would like you to believe, time - and what happens within time - is as important an ingredient of Magick as any other factor. The right amount (not too much or too little) and quality of use (as opposed to just spending it) are part of the art of manifesting reality.  

Time is, in fact, the most overlooked and therefore the most likely reason for an unsuccessful attempt of transmutation of energy. Magick isn't simply about waving a wand and instantly arriving at Point B, it is about the whole process of Point A through Point B and the infinity between the two points that is known as space and time.

It is self-evident that in any journey, you won't get where you want to go if you screw up too much.  This means you need to know where you want to go before you start, you need to know why you want to take your journey so you can know how to plan the trip. Once on the road, you need to pay attention to the signs along the way and take the correct route.  And there is no getting around that in any journey, the change from Point A to Point B is going to take the time it needs to take, no matter what.

Rushing things and taking shortcuts so that you can get to the destination is not the point of a great journey. If you only want to reach your destination, ask Scotty to meet you in the transporter room.  If, however, the going is as important as the getting there then what happens between the time you decide you want to go and when you get there is what it's all about.

If you want to be successful at Magick then know before you begin that the going is as important as the getting there. Magick is a process of creation - of changing personal reality on purpose, as opposed to letting the currents and whims of life do the changing. Full engagement of mind, body and soul in the entirety of a journey through the time and space of the process is what it takes for success in Magick.  High levels of desire, will and performance must be maintained throughout the planning and preparation as well as during the ritual itself. This means there are many possible opportunities to screw up along the way.

Many who attempt Magick will fail.  These would primarily be people who sabotage themselves by not being clear about what they really want or what that would look like in the new reality (not knowing their destination) and by failing to stick with the program all the way through to the end or to pay attention to the signs that would guide them along the way (messing up the journey).

It's not the fault of the Universe when Magick fails.  On the other hand, if a journey is never attempted, the goal will never be reached.

What are you waiting for?



Sunday, July 29, 2012

Mage Music: Whence Magick?

It was a very successful experiment.
-           Jimmy Page, Guitar World, 1993

Mage Music 12
How magical to get to use the word “whence” – never did I imagine I’d ever have reason to use it, but “Where Does Magic Come From?” is such a boring title for a blog post, don’t you think?


Last week on the official JimmyPage Facebook page, Sara said she can’t listen to more than one version of Tea For One or any Led Zeppelin song one after another because they are so intense she feels like they would stop her heart - she said she has to pace herself. It’s easy to feel that way about such powerful music. For me it’s particularly tough when I first begin to hear a Led Zeppelin song. Like Sara I feel that the act of listening could cause my heart to falter, my blood to cease to circulate, my lungs to be unable to take in oxygen ever again. That’s intense!

Intense… but not mundane.
What we’re reacting to isn't just ordinary music - there's plenty of music out in the world that's really great but it doesn't make anyone feel like they're having a near-death experience.  What we're reacting to is pure Power, and so much of the stuff that it feels like it is too much for a merely physical human being to withstand. Power... but not mundane. It's Magickal Power.

So where does this Magickal Power come from? And how is it that Mage Musicians can not only withstand the Power, but do so performance after performance?

Whence?
Magick doesn't come from the Mage - let's get that straight. And so sorry, but Magick isn't a Super Power either.

Magick is a process that the Mage is a part of.

The process of Magick involves the Mage's engaging with and essentially becoming an active component of the evolution of the Universal Energy (you could call it Magickal Energy, Source, Great Spirit or just plain Power if you prefer) that everything that exists is made of, in order to bring about some change in the Mage's reality.

Desire, focus and ritual (conscious choice, will and action) bring about alignment with the Universal Energy that manifests as the change the Mage seeks. If the Mage fails in any part of the process, the whole process will fail. Failure means that something else will happen.  It could be good, bad or ugly - once the Mage falls out of alignment something will still happen, but it's the Universe, not the Mage, that "decides" what will happen.  

The Paradox of Control
The process of Magick is about control – having it and letting it go. The Mage has to have absolute control - not over other people or over things, but control of Self: Control of the Mage's own mind, thoughts, emotions and physical body. There needs to be so much control that the Mage can let it go; the goal is to move beyond it to as pure a state of simply being as possible.

In other words, the Mage's goal is to have no control of the process, of the Magick, at all.

This seemingly contradictory state of absolute control and absolute lack of control is like meditation - except that the Buddha had it easy: A Mage can’t do sitting meditation but must be able to perform the Magickal rituals while in the meditative state; a Mage Musician has to play a musical instrument while holding a pure state of being!

And to top it all, the Mage must also let the Power that results in the change in the Mage's reality do what it will.

To maintain sufficient control while giving Self to the music and the Magick and letting them manifest as they will is another seeming contradictory state of no will and free will, of control and no control. This is the true choice that a Mage makes: Choosing the end, then allowing the journey to happen; abandoning Self to the journey, trusting/knowing/believing that it will all come out the way it needs to; controlling to perfection and then letting it go… this is the choice that is made to allow the Power to pass through the Mage and into the Music, and it is the choice that means the Mage Musician is not burned out by the Magick.

A Mage Musician is a pure crystal lens that channels light without interference. No matter how strong the light, the lens is unharmed by it, but oh, beware when you are in the focus of that light! We mere mortal listeners to Mage Music risk frying our souls unless we, too, open ourselves and become lenses that pass the Light  through.




Future post:
Comments on Jimmy Page's playing a bit of Beck's Bolero in How Many More Times




Playlist for 07/29 post: How Many More Times
Please listen to these selections while contemplating what a Mage Musician is actually doing as he channels the Magick. 



Mage Music 12 Full Playlist on YouTube

Individual song versions:

Led Zeppelin Studio - Led Zeppelin 1969
Page & Plant Live Shepherds Bush Empire, London 1998 (How Many More Times begins at 7:00)
 

Links to other versions are appreciated.