Showing posts with label magick. Show all posts
Showing posts with label magick. Show all posts

Tuesday, January 8, 2013

Muse Music Magick - and a Happy Birthday

2013 - Year of the Muse
~jimmypage.com, January 1 2013



Before all the sweat equity that a Mage must put into Magick - or a musician into music - there must be inspiration to provide the goal, the end point of that journey. But where does inspiration come from?


The neat, clean hard-wired explanation
Scientists today are discovering some incredible information on how communication and creativity work in our brains. They are getting a picture of how truly hard-wired we humans are for what we are capable of. The actual physical pathways of electrical pulses and brain structures involved during acts of creativity are being mapped.  This is very exciting stuff - but what scientists are doing is confirming what many of us have already understood:  Music is something that not only we all can do or at least appreciate, but is a basic and necessary part of the human communicative experience that evolution shaped the brain to do.

But as nice and neat as that sounds, that still doesn't explain the source of inspiration.  Science is remarkably chary of addressing the hard questions:  Why does life exist at all?  What started it?  What's it all for?


The mushy, non-scientific explanation
Like with Magick, music is a process and an experience. Like with Magick, the musical process requires desire and will and ritual (performance). And like with Magick, in spite of what science would say, the source of music is not ultimately to be found in the hard-wired world but in something much vaster than electrical pulses in the human brain. 

Science has yet to venture into to the scary territory of the Mysteries and pretty much either pretends that part of the human experience doesn't even exist or that it's hogwash (although quantum physics is making that avoidance harder and harder to maintain). Even when attempting to categorize, quantify and otherwise pin down psychic phenomena science clings to the notion that there is no difference between the mind and the brain.  


The ancients tackle the hard stuff
Some thinkers have always known better.  To them - particularly the ancient sages of mythology and philosophy -  the mind/brain sameness claim would have been considered ignorant in the extreme.

Which is not to say that human attempts to explain the unexplained (and likely unexplainable) have been 100% accurate either, but at least they tried, and so those of us today with broader vision benefit.  There is much to learn from mythology, and thus we come to Muses, the goddesses who embody inspiration and the arts.


The Muses
In western mythology there were originally three muses: Practice, Memory and Song. However, traditional mythology gives us nine muses - either daughters of Gaia and Uranus, or of Zeus and Mnemosyne (goddess of memory, daughter of Gaia and Uranus). No matter what the genealogy, the Muse we are most interested in is Euterpe ("giver of delight"), originally the muse of music and later of lyric poetry. She is most often depicted holding a flute or sometimes a lyre.

Diodorus Siculus (Greek historian 1st century B.C.) said of Euterpe, "she gives to those who hear her sing delight in the blessings which education bestows."  The bringer of musical inspiration bestows the blessing of knowledge. But we knew that.

The point of the mythology is not that there is a goddess named Euterpe hovering in the background tapping the head of a musician with a magic wand and knocking inspiration into the otherwise vacant mind, but that the inspiration is a connection from the human mind to another realm, one that is vaster than humans. It is a blessing of enlightenment and delight that appears to spring from outside the musician, in mythology from a Muse.

Truly, inspiration comes from and through the musician, as does Magick. The source isn't the human being exactly - the Mage or the musician opens the way, is a conduit of the infinite and, necessarily, a filter that cannot help but distort (that pesky infinite/finite issue).

Background mosaic of  Euterpe
appears on the front
of a concert hall,
"la salle Rameau",
in Lyon, France.  
Click here for full image. 

Who needs a Muse?
So what's with the Muse, then?  If a Mage or musician can do it without one, who needs an ancient goddesses of mythology?  Well, to put it simply, there's the audience issue, too.

The Muse not only provides an explanation for the seeming Magickal blossoming of an idea but is also an audience to bounce ideas off.  All artists, all creators, need an audience - someone impartial who will experience and validate the work. But while in the process of creation, an actual human and fallible audience can be a bad idea - an uneducated comment, or even a good comment at the wrong time, can squash the artist's creative flow flatter than a bug under the sole of a Dr. Martens boot.

While some artists and Mage have a living, breathing person as Muse who provides inspiration and feedback, those extraordinary individuals are rare.  For the solitary artist or Mage, the work in progress must be bounced off of the vision of the heart and soul. It can be done, and must be done that way for the highest-level Mages of Magick, music or any of the arts or advancements in knowledge - new work means going where no Mage has gone before.

The Muse, then, is a metaphor for the artist's or Mage's process of tapping into the infinite and letting the light shine through.  Jimmy Page has declared this is the year of the Muse: A year of inspiration, of creation, of new music and of Magick.

Listen for your own Muse, for you surely have one if you want one.  If not your own, then Jimmy Page's will do.




Happy Birthday Jimmy Page January 9













Saturday, December 1, 2012

Magick Begins – and Ends – Here


“Cogito ergo sum”   
~ René Descartes

Mage Music 30

Everything is possible in the infinite scheme of things, but from the very finite human viewpoint, there are limitations:  Beginnings and endings, and sideways constraints, too.  Magick is a way of tapping into the infinite but it isn’t infinite itself – possibilities may be endless, but human restrictions still apply.

Magick begins here – or not
The Magick equation always begins with desire.  Desire provides the fuel of emotion, which can either cause a conflagration that lights the world or go pfft – not even a spark.  Without powerful desire there is no Magick… but not just any desire will do.

Hope (wishing) is nothing. It doesn't bring enough power to fuel the Magickal process. Hope is just a statement of preference. On the scale of desire and will, hope carries little weight. The most painstakingly performed ritual will be empty and without impact if hope is used to power it.

Belief (faith) can be a powerful thing, but it isn't good enough for most Magick. That's because belief falls well short of knowing. Disagree? You may believe someone is in a room because you saw him enter and haven't seen him exit, but you don't know unless you open the door and look inside. The person you just saw go into the room might have walked right out a back door. Belief carries more weight than hope on the scale of desire, but nowhere as much as knowing.

Knowing leaves no room for uncertainty - it is about reality for the one who knows. Knowing is about personal identity and relationship to reality. Knowing carries 100% weight on the scale of desire. Knowing is what enables Magick to change reality.

To know is to manifest
To do Magick is to replace one reality with another.  To do Magick a Mage must know the desired to be the actual reality – not believe it, not hope it.  In a sense, this means that the undesired reality that exists and is known must be made "unknown" in order for the new reality to manifest.

This means that during the Magical process, a Mage cannot think about the existing reality, for part of unknowing something is to not focus on it. You know about "don't think about pink elephants"?  That’s what it takes, and to not think about something, to not even thing about not thinking about something, to not even acknowledge the possibility of the old reality is a tough job.

But it can be done and it is done. Anyone with sufficient desire and will and attention to ritual can do Magick. If it was easy, of course, there wouldn't be a special term for those who can do it. "Mage" is a title about ability and success, not a description of those who try.

Magick ends here
The killer of Magick is doubt. When doubt enters into the equation, balance is destroyed and Magick cannot manifest anything.  The most powerful will and the most painstakingly performed ritual will be undermined by the smallest doubt. To doubt is to not know.

Unfortunately, doubt is insidious and lives in us all somewhere, in some form.

Ritual:  Doubt destroyer
The thinking mind is the Mage’s albatross, since thoughts can lead to doubt.  Strong emotion displaces thought by engaging a primitive, survival-oriented part of the brain that literally shuts down the critical thinking facility of the human mind.  It's an On/Off switch:  Powerful desire, guided by a Mage’s will, provides strong emotion that bypasses thought.  Without thought there is no possibility of doubt.

Ritual is the key to Magick – it is the catalyst that transmutes desire and will into the new reality.   Music is the language of emotion - not thought - and as such it is one of the most powerful and accessible forms of Magickal ritual there is.  It uses the seduction of sound to focus the power of a Mage’s desire and will.

There is no room for doubt:  The human mind is hard-wired for emotion and for music.  And, of course, this means that it is wired, also, for Magick.



Future post: Ear worms
  


YouTube Playlist:  For Your Life



Saturday, September 1, 2012

Mage Music 18: Fetching the Magick

Ritual is the glue that holds the Magickal process together...

Mage Music 18

Black Dog
artwork based on NASA image
click on image to enlarge
Like everything else associated with Magick, Ritual is simple, but it’s not easy. Just for openers, there is more than one flavor of Magick. There is no one Magical path that is the sole truth of things. There is no good or bad Magick, either – Magick is what the Mage chooses to make it, since Magick is a process and tool of the Mage, not an independent thing in itself. The Power that the Mage accesses using Magick is the infinite energy of the Universe, which is not owned by Magick, the Mage, a demon, an angel or any being.

Even within one flavor of Magick there are many possible rituals that can be used by a Mage to achieve the desired outcomes. The ritual can be from any number of possible sources or it can be created by the Mage. The same ritual can be used over and over again or can be changed from time to time. Always, however, the risk exists for putting too much emphasis on the ritual’s form rather than its function. More on this in a bit.


Ritual: The Abracadabra Part

Ritual is the visible, external part of Magick. It’s what people see in the movies and read about in books and, if they are uneducated about Magick, it's what they think Magick is all about. Not so.

Ritual is the action that is used to bind the desire and will of the Mage and provides a focus for long enough for the Mage to access and open to the energy of the Universe. It’s the unlimited and infinite energy of the Universe that makes changes in the reality of the Mage... if all the component parts of Magick come together just right.

There is no Power in Magick itself, since Magick is a process not a thing. There is no Magick in a magic wand or in a secret word or symbol – if any of those things seem to contain Magick, it is only an illusion, a seeming that comes from the Mage at the time of use in ritual. Don't believe it? Well, a non-Mage can go to a magic store and buy the most arcane, most talismanic object - but outside of Magickal process by a Mage, the object will be just an inert thing. Think about this: Jimmy Page told Brad Tolinski in 2010 that the iconic outfits that our favorite Mage Musician wore on the 1977 tour were “more than just stage clothes; they were talismanic”, yet I doubt anyone who put one of those dragon suits would suddenly gain the Mage Music abilities of Jimmy Page. That's because....

Magick isn't in the objects or the ritual; Magick is a process that provides a framework for a flow-through of purposeful and directed energy of the Universe. It isn't easy to do this - and it's not an immediate cause-effect, either, which is a good thing when you think about it. One moment of inattention and a demon pops through!  No, it is fortunate for reality as we know it that immediate cause-effect - a wave of a wand and an Abracadabra - is not how Magick works.


Focus 

I mentioned in discussion of the use of a Mage's will how hard it is to sustain powerful desire and a conscious awareness of purpose for any meaningful length of time. For most of us, a moment or two is pretty good. For a Mage, minutes - many of them - may be needed to bring about the desired changes in Reality. There probably have been humans who could sustain the desire and awareness for long enough solely through their own will, but for most Mages, ritual is the tool that allows them to do the job.

Good ritual, through the use of stylized, formal actions performed sequentially, focuses the mind and emotions so that distractions are prevented and the primary desire and purpose can be maintained. Good ritual draws in and binds the senses and ensnares conscious awareness in order to align the mind, body and soul with the desired outcome. It is the loss of awareness and surrender to the desired new state - existing in the changed reality before the change exists in reality - that is the key to the ritual of Magick. Shamans dance and chant or dream, priests use prayer, Mages use Magickal ritual - all do so to surrender to the process, to step out of themselves and into the new state and to sustain that altered existence until it becomes the new reality. For some Mages, the form of ritual - and the surrender - is to music:  Mage Music.


Form vs. Function

The form of ritual provides a framework for the Magickal process that creates a familiar pattern.  [Note that if the pattern is achieved, then the ritual isn't improved by increasing technical expertise of performance, since it is the familiar patterns themselves that tell the receiver what kind of information to expect.  Jimmy Page has often been criticized for sloppy technique, but technique is secondary to content for a Mage Musician.]

The formula for ritual is pretty standardized:  There's a beginning, middle and end.  Each kind of ritual has its own pattern-within-pattern.  With Magick (and Mage Music) the ritual pattern looks approximately like this:
  • Preparation - Sets the desire and will, repeated so that the body/mind/soul are prepared (theme, riff) 
  • Invocation - Losing self in order to put the desire and intention of the Mage out into the Universe and to thereby become aligned with the change that is desired (solo) 
  • Close - Gratitude and creating the path to return to end of ritual (return to theme)
The function of ritual is essentially that of prayer (in the sense of spiritual communion), the object of which is to transform the Mage and thereby transform the Mage’s reality.

Ritual in itself is a catalyst, meaning that it brings about change while itself not being changed. Ritual is simply a component in a process that brings about/transmutes the Mage's reality, via desire and will, into a new reality. The need for the Mage to be able to surrender while maintaining the highest and most powerful levels of desire in full purpose and awareness means that during the sequential moments of ritual, what it looks (or sounds) like is secondary to the change it brings about in the Mage's reality.

No quality of musical performance, however skilled, will bring Magick to the music without the Mage’s purposeful immersion in the ritual.  The technical skill of a Mage Musician is less important than the strength of emotion, the purity of desire and the power of will used to perform the musical ritual.It can’t be faked and it can’t be emulated – Magick in music can only be created and recreated each individual time and only through the efforts of a Mage.

Fortunately for Mage Musician, audience has a function in the ritual.  We provide energy.  When we recognize the the ritual pattern and the quality of the music that carries Magick, when we feel the Magick we are transmuted along with the Mage and our feedback helps power the Mage.  It is the Mage Musician, however, who always does the fetching for us.



  

Future post: Magickal Mystery





Individual songs

1971 Led Zeppelin  Black Dog (live) Osaka (pre-album performance)
1971 Led Zeppelin  Black Dog (studio) Album: Led Zeppelin IV 
1971 Led Zeppelin  Black Dog (live) Knebworth
1973 Led Zeppelin  Black Dog (live) Madison Square Garden
1975 Led Zeppelin  Black Dog (live) Earls Court
1979 Led Zeppelin  Black Dog (live) Knebworth
1993 Page Coverdale  Black Dog (live) Osaka
1995 Page Plant   Black Dog (live) New Orleans
2007 Led Zeppelin/Jason Bonham  Black Dog (live) O2



Sunday, August 26, 2012

Dazed But Not Confused

It takes determination, stubbornness and powerful Will to pursue a vision decade after decade - there's no confusion about it. 


Mage Music 17  

The Magickal process is a simple formula (simple, of course, not being the same as easy):  Desire + Will + Ritual => Manifested Change. The process is not a sequential one; in fact all of the input must occur not only at the same time but be sustained over time in order to achieve success. A Mage Musician must master all of the input in the Magickal process mindfully while at the same time being free to disappear into the music and let the music be the master. It's no wonder that there aren't a lot of Mage Musicians around. It's no wonder that, even though music is a highly suitable carrier for Magick, there just isn't a lot of Mage Music around either.

Desire is something we all experience to some degree or another all the time, though the quality of desire in Magick is not quite the same as, say, for rocky road ice cream or even for sex. On the other hand, Will is something we non-Mages experience way too infrequently - we tend to go through life on automatic pilot for one thing, and for another engaging our will is just not as much fun as fulfilling our desire. Without Will, though, desire easily slides into wishing and hoping. For the process of Magick, purposeful and directed Will is a bridge between desire and ritual; wishing and hoping alone aren't powerful enough to change Reality.


Willy-nilly

When you do something in a willy-nilly way, it can mean that you've done it in a disorganized or sloppy manner or, contrarily, that you were forced to do it whether you wanted to or not. Willy-nilly comes from "will ye, nill ye", and "will", too, seems to have two contradictory meanings: Your will can be merely your desire or it can be your deliberate focus.

Will or willy-nilly: All meanings apply very well to the music of Jimmy Page, which for so long has seemed to be nothing less than the product of the application of a Mage's Will to his soul's desire.

Creation is the transmuting of inner reality into something that can be experienced in the world; music does it using sound to express meaning that words don't or can't convey. Magick is a Mage's process for creation, the transformation of a desire into changed reality.

If music is the evidence, then for at least one extraordinary musician we can believe in the existence of a ferocious and persistent Will that has sustained an ongoing drive to express the perfect sound - the one note after the next that exposes the naked, pure heart and soul of Reality. This level of Will involves maintaining sustained attention and consciousness of process over time so that the perfect sound can be not only created, but the unending possibilities sifted, rejected, transformed, added to and pared back. It involves never accepting the music as "good enough".


True Grit

Reality isn't so easy to change. Manifestation must overcome the powerful forces of inertia (resistance to change) and entropy (the tendency towards disorder and ultimately dissolution) within the Universe. Just wanting something to be different won't make it happen - a fact I think most of us are very familiar with. Creation and growth do not happen without a price: Directed, focused energy - that is, Will - is the currency for purposeful change, regardless of what the end result is to be.

It takes strength and determination, stubbornness and true grit to stay the path of Magick. It takes mental and emotional discipline to imagine what does not exist and what has never existed while keeping the mind clear of old paradigms and expectations. It takes sustained effort and being so controlled that the only thoughts, emotions and actions that are presented to the Universe during the process are the ones that lead to the goal.
If you think this is easy, try this experiment:  Hold one thought - of anything you would like to see manifest in your reality, anything that does not already exist - without another thought entering into your mind for a mere 17 seconds (I have read this is the shortest amount of sustained time needed for a human being to effect even a small, insignificant change in Reality - but even if that isn't so, I still challenge you to try it). Seventeen seconds. Be sure to create a powerful desire for that thing you want to manifest, and keep that powerful level of desire burning at the same time as you sustain constant and focused awareness of your goal.  This is not simply meditation:  The goal of Magick is to create a change in Reality.

Most people can't even begin to generate a clear concept of something that doesn't exist, much less maintain a powerful desire for it for longer than a few milliseconds. Magickal Workings can take not just a short 17 seconds, but minutes and more. And then there are the Works of Mages....


The Mage is the Work

As above, so below: macrocosm/microcosm. The need for extraordinary desire and will plus the need to sustain the process over time means becoming the Work, not merely directing it. As an artist or musician is a person who has so merged with the work that he/she cannot meaningfully be talked about separately from the art or the music, so too a Mage cannot be meaningfully considered separately from the Work.

Unlike with artists or musicians, however, a Mage can never not be a Mage. Once become a Mage, a person has crossed a line:  Enlightenment brings the understanding that humans alone are responsible for the outcomes of their choices - and that understanding cannot become unknown or unlearned or even forgotten. In order to manifest in the world, the Mage must literally change his/her own Reality.  Enlightenment means that a Mage must be the change he wishes to manifest.

Thus enlightenment is like losing virginity - there is no undoing about it. An artist can stop painting, a musician can stop playing music and eventually each will no longer be an artist or musician - but no amount of celibacy will get a person's virginity back.  "Mage" is not a title but a description of a state of being. Magick is a process used to change the reality of the Mage, whose state then becomes a microcosm of change in the greater Reality of the Universe.


Never Confused

We can only imagine how it must have been for Jimmy Page, back in the late 1960s, to be feeling his way through music in order to express what must have been a powerful inner vision that stirred within him. We know that he tried and discarded visual expression (painting) as a means to satisfy what was in him that wanted to come out.  From the beginning Mr. Page experimented with different musical instruments, pushing musical barriers to try to capture the perfect sound that was his inner vision.

How extraordinary it must have been to one day hear a song performed by Jake Holmes (ironically, the originator of the slogan "Be All That You Can Be") that carried a hint, some echo of essence, some sound that was perhaps almost there, almost right, almost what Jimmy Page's heart and soul could feel so strongly. How that music must have called to Mr. Page, and how joyfully he must have responded! Did he know, even then, that Dazed and Confused would be one of the most powerful vehicles for his musical genius for the next half century?

Willy-nilly, Jimmy Page has changed Reality - his own and the world's - with that song. Each time he performs it, it is a Work in progress, never a repetition. Each time it is a restatement of his desire, an expression of his will, a ritual of exploration and manifestation that changes Reality. Each time has gone on since 1968.  Can there be any more evidence of Will than that?

Mage Music is dazzling, it dazes and amazes us - but the Mage Musician that is Jimmy Page is never confused. We know this because if he plays the same song, he nevertheless doesn't play the same music!  Mr. Page still explores, still searches for the perfect combination of components, still performs the ritual of Mage Music. The desire and Will that has driven him for so long is why he is a Master.  Absolutely no confusion about that.



Future post: Ritual (probably next week, but maybe not!)



YouTube full playlist




Dazed and Confused - individual songs


1967 Jake Holmes - Dazed and Confused (album) The Above Ground Sound
1968 Yardbirds - I'm Confused (live) Yardbirds Album: Yardbirds Featuring Jimmy Page
1969 Led Zeppelin - Dazed and Confused (studio) Album: Led Zeppelin
1973 Led Zeppelin - Dazed and Confused (live)Madison Square Garden. Soundtrack from the movie, The Song Remains The Same
1988 Jimmy Page - Dazed and Confused (live) solo Arizona Sept 17 1988
1999 Jimmy Page - Dazed and Confused (live) New York
2002 Jimmy Page with Paul Weller band - Dazed and Confused (live) Feb 09, 2002 Royal Albert Hall, Children's Cancer Trust Benefit
2007 Led Zeppelin/Jason Bonham - Dazed & Confused Dazed and Confused O2 Arena


Sunday, August 19, 2012

Whole Lotta Love Notes

"Music is magic. Magic is life. "
                                             ~ Jimi Hendrix

Mage Music 16

Before you read any further, watch the first video the playlist below, the1997 Warner Music Group Mothership promo video of Whole Lotta Love.  Yes I said "watch".  Although the other songs in the playlist are in order of when they were performed and this one isn’t, and even though I generally recommend that you listen only - not watch - the music videos I suggest, this time I’m saying … watch this one. It’s meant to prime you for understanding what this post is about.

Oooh Baby
Sex: Ask some people (advertising agents, botanists, behaviorists, psychiatrists, religious zealots, lyricists and students of Magick just to name a few) and they’ll probably tell you that sex is the motivator for everything in life (maybe some would say the bane of everything in life, but that’s another discussion someone else can pick up someplace else).

Sex? The motivator for life? That isn’t really true. It’s desire that is the motivator for life.

Sex is only one way of satisfying desire. There’s a whole lotta desire out there, much more than there is for merely love. Without desire no living thing would do anything at all, not even bother to initiate sex. That’s because desire is required to initiate action of any kind – even the most inconsequential, meaningless action.

Desire is wanting something other than what exists: A different situation, a different experience. True desire is kind of like an itch or a sneeze – it starts out little and the next thing you know, it’s irresistible. You gotta have it. Now. And by the time you act on it there’s no question of what it is you’re going to do.


Desire: Deep Down Inside
There is the desire and there is the desired: The want and the thing wanted. The desire to reproduce and the pleasure from it is a primitive, lizard brain thing – but then so is music. It’s no wonder that sex and music are so closely linked.

Like good sex, music begins with wooing, igniting the flame. It can be hard or gentle, depending on what suits the mood. Either way, the heat builds to a climax (when it's good, sometimes more than one climax!) but once you're there, climax is the end of the desire:  That's what it is for. Satisfaction is the sating of desire or, put another way, the desired outcome of any act is not the scratching of the itch but the cessation of the itch – the fulfillment of desire is to no longer have desire.

Magick works the same. It begins with a wooing, it builds to a climax that results in the manifestation of the change the Mage desires - and therefore the end of the desire itself.

Sex and Magick come from the same source. Their root is desire. Their end goal is fulfillment: satisfaction and completion. They are parallel in many ways, but they are only parallel, not the same.  Most people don't have any pattern recognition for Magick, so the brain substitutes the nearest explanation. You experience desire of any sort deep down inside, but that doesn't make it about sex. You don’t need sex for Magick, you need desire, but most people can’t really tell the difference.


Hungry for Power
When you recognize Magick in the music, what you are sensing - beyond what your ear captures - is Power, the life energy of the Universe. Power is so very sexy, though it isn’t actually sexual. It is the Real Thing:  A link to the Force, to the energy of life and because it is so Big, so Much, because it’s the highest high, the brightest Light, the best of the best, we compare it to things that we can experience that are similar (pattern recognition again). Good sex that takes us out of ourselves is what we know, and so we compare Power to sex and we believe that sex itself is a property of Magick when it isn’t, really.

So.  Music that is not only about sex but also carries Magick is a double whammy. Mage Music doesn’t have to even be sexy to be Sexy. It’s all about desire: We taste a bit of that Power and we want more. We're hungry for it - we desire it.

Mage Music is sound sex. It is what the essence of the sexual experience is without the sex. Magick connects desire to Power and culminates in a change in the world. And what a powerful tool desire is for Magick - a good thing since desire is one of the main components of Magick. Imagine what it must feel like for the Mage.


Does it Quack for You?
When the infinite part of you – your soul – is connected to the Infinite that is the Universe and resonates with it during the experience of music, then you’re feeling the Magick. That's the good news.  The bad news is that while souls can resonate with the Infinite, ordinary humans can’t fully participate in the experience of the Infinite and still remain in finite bodies (the result is insanity… or death. We’re just mere humans, we listeners to music – we aren’t Mages, and even Mages court insanity and death as I'm sure you've observed).

The Magick in Mage Music isn’t for us or about us – the Magick is the Mage’s, not ours. The Mage's role is the connection to the Infinite.  Our role is that of the witness. Still, we can’t help but notice – and react to – the powerful desire that the Mage uses in the Magickal process. We are pulled to Mage Music, and we especially love sexy Mage Music. Heck, any Mage Music is sexy, when you come down to it. We can't help ourselves.

If it feels like a duck and it walks like a duck and it quacks like a duck, it is a duck. Mage Music feels sexy, so it is sexy.  The music in the playlist below is in no way the only sexy music Jimmy Page created.  Just because the songs happen to be (mostly) about ordinary sexy stuff isn’t why they are on the list – they’re there in spite of the ordinary sexy stuff. They are there because they are Mage Music, not because they’re sexy music - and these songs are Mage Music because of the Power manifested by the desire of the Mage creating the music.

Obviously a Mage who chooses music to perform publically intends for us to perceive the Magick – we get to be voyeurs in a very personal process but at least we've been invited. A Mage Musician uses the feedback of the audience’s resonation with the Magick as part of the Mage’s Magickal process - but even so, we still are each just witnesses, not the one creating the Magick, and we are not who the Magick is for.  The Mage doesn't need us for Magick, he just desires us.


Hot/Cold Desire
You ever play the game of hot/cold or charades where your the others guide you by telling you if you’re aiming in the right direction or the wrong one? That is feedback, and a Mage Musician uses audience feedback just like any ordinary musician or artist does. Music reflects a search - for desire and for climax. In the kids' game, “hot” is getting closer, “cold” is going away from the goal. In Magick and Mage Music – and sex - getting closer feels good, going away from the goal feels bad… or at least neutral (which is actually bad because you aren't getting where you want to be). It’s all about feeling your way to the emotion of desire: You may not know what you want - quite - but you recognize it when you feel it.

Artists in the act of creating are driven by desire. Whatever their medium - paint, words, music, dance, stone or pixels – artists in the act of creating feel the pull of desire.  Recognizing it, they act, they feel the hot/cold of results, they adjust and act again, sometime with lightening speed, sometime with a snail's pace of deliberation. They play us for the feedback only to serve their own desire.

The Mage works with the un-physical medium of Magickal process. At once both freer and requiring the highest discipline, desire is still the driving force, and the fulfillment of desire is still the end goal. No matter to the Mage Musician that the audience is witness and feedback mechanism, only tangential to the Magickal outcome - the Mage will do what the Mage will do whether there's an audience or not.  But you know, so what?

We hear it, we feel it.  We get a whole lotta deep down, too.  





Future post: First there is desire, but intention makes it all happen.



Individual Songs

Whole Lotta Love Led Zeppelin Warner promo video for Mothership (while I normally advise listening only - this promo video is worth looking at as support for the Sunday MAGE MUSIC post)
Baby Come On Home Led Zeppelin (studio) 1968  Album: Coda
You Shook Me Led Zeppelin BBC Sessions 1969
Since I've been Loving You  Led Zeppelin  (live) LA 1972 Album: How The West Was Won
In The Light Led Zeppelin (studio) 1975  Album: Physical Graffiti
I'm Gonna Crawl  Led Zeppelin (studio) 1979 Album: In Through The Out Door
Emerald Eyes  Jimmy Page (live) 1988 Outrider Tour
Whole Lotta Love A few seconds from It Might Get Loud 2008

Sunday, July 29, 2012

Mage Music: Whence Magick?

It was a very successful experiment.
-           Jimmy Page, Guitar World, 1993

Mage Music 12
How magical to get to use the word “whence” – never did I imagine I’d ever have reason to use it, but “Where Does Magic Come From?” is such a boring title for a blog post, don’t you think?


Last week on the official JimmyPage Facebook page, Sara said she can’t listen to more than one version of Tea For One or any Led Zeppelin song one after another because they are so intense she feels like they would stop her heart - she said she has to pace herself. It’s easy to feel that way about such powerful music. For me it’s particularly tough when I first begin to hear a Led Zeppelin song. Like Sara I feel that the act of listening could cause my heart to falter, my blood to cease to circulate, my lungs to be unable to take in oxygen ever again. That’s intense!

Intense… but not mundane.
What we’re reacting to isn't just ordinary music - there's plenty of music out in the world that's really great but it doesn't make anyone feel like they're having a near-death experience.  What we're reacting to is pure Power, and so much of the stuff that it feels like it is too much for a merely physical human being to withstand. Power... but not mundane. It's Magickal Power.

So where does this Magickal Power come from? And how is it that Mage Musicians can not only withstand the Power, but do so performance after performance?

Whence?
Magick doesn't come from the Mage - let's get that straight. And so sorry, but Magick isn't a Super Power either.

Magick is a process that the Mage is a part of.

The process of Magick involves the Mage's engaging with and essentially becoming an active component of the evolution of the Universal Energy (you could call it Magickal Energy, Source, Great Spirit or just plain Power if you prefer) that everything that exists is made of, in order to bring about some change in the Mage's reality.

Desire, focus and ritual (conscious choice, will and action) bring about alignment with the Universal Energy that manifests as the change the Mage seeks. If the Mage fails in any part of the process, the whole process will fail. Failure means that something else will happen.  It could be good, bad or ugly - once the Mage falls out of alignment something will still happen, but it's the Universe, not the Mage, that "decides" what will happen.  

The Paradox of Control
The process of Magick is about control – having it and letting it go. The Mage has to have absolute control - not over other people or over things, but control of Self: Control of the Mage's own mind, thoughts, emotions and physical body. There needs to be so much control that the Mage can let it go; the goal is to move beyond it to as pure a state of simply being as possible.

In other words, the Mage's goal is to have no control of the process, of the Magick, at all.

This seemingly contradictory state of absolute control and absolute lack of control is like meditation - except that the Buddha had it easy: A Mage can’t do sitting meditation but must be able to perform the Magickal rituals while in the meditative state; a Mage Musician has to play a musical instrument while holding a pure state of being!

And to top it all, the Mage must also let the Power that results in the change in the Mage's reality do what it will.

To maintain sufficient control while giving Self to the music and the Magick and letting them manifest as they will is another seeming contradictory state of no will and free will, of control and no control. This is the true choice that a Mage makes: Choosing the end, then allowing the journey to happen; abandoning Self to the journey, trusting/knowing/believing that it will all come out the way it needs to; controlling to perfection and then letting it go… this is the choice that is made to allow the Power to pass through the Mage and into the Music, and it is the choice that means the Mage Musician is not burned out by the Magick.

A Mage Musician is a pure crystal lens that channels light without interference. No matter how strong the light, the lens is unharmed by it, but oh, beware when you are in the focus of that light! We mere mortal listeners to Mage Music risk frying our souls unless we, too, open ourselves and become lenses that pass the Light  through.




Future post:
Comments on Jimmy Page's playing a bit of Beck's Bolero in How Many More Times




Playlist for 07/29 post: How Many More Times
Please listen to these selections while contemplating what a Mage Musician is actually doing as he channels the Magick. 



Mage Music 12 Full Playlist on YouTube

Individual song versions:

Led Zeppelin Studio - Led Zeppelin 1969
Page & Plant Live Shepherds Bush Empire, London 1998 (How Many More Times begins at 7:00)
 

Links to other versions are appreciated.

Sunday, July 15, 2012

Mage Music: Magickal Interlude

Take a deep breath of enlightenment...


Mage Music 10: A Magickal Interlude

I turned on the radio while driving home from Colorado last weekend, after getting within range of a decently strong station.  I had forgotten to bring my iPod so was otherwise without music for most of the 12 hour drive as I can’t stand commercial radio, but after this many hours on the road I was getting tired and needed something to keep me going.  As usual I was listening for hints of Mage Music – it’s something I always do, though of course I rarely come across it.  Doesn't mean that the music I hear carries no hint of Magick – it could be there, it’s just that I'm not open to hearing it from those sources.  We all have favorite bands, after all!

Anyway, I'm listening hour after hour to stuff that sounds pretty much the same: That fuzzy, high-gain guitar distortion effect, the vocalists belting out lyrics that are a full stop musically, not meant for more.  Song after song, the music was so much the same that it all ended up being white noise after a while.  Truly - I was hearing the same music no matter what the song and what the band, all of it sounding like it could be one group with one big playlist, some songs marginally better than others at best.

The annoyance factor alone was keeping me awake.

Then, a couple hours into this drek, I heard the first chords of Kashmir.  It was like an electric shock. It was like the whole world stopped and took a cleansing breath.  It was clarity, precision, meaning, all there in one soaring, wide-open, no-fooling around Magickal package.  I felt like the sun had come out when I hadn't realized it was cloudy.  I felt like I could breathe again freely when I hadn't known I had been holding my breath.    I felt emotions loosen that had been wound up tightly, and a crazy grin plastered itself across my face.

I felt like I had been sucker punched in the psyche.  It felt good.

I've always loved Kashmir; even though there's no extensive Jimmy Page solos in it.  Still, the melody is based on Mr. Page’s unique and immediately identifiable chord progression, a riff so gripping that it entrances and practically pries open the soul of the willing listener to the Magick.  A riff so powerful, too, that it has been adopted by other guitarists who play it in their own songs, never realizing that that the Magick isn’t in the notes but in the soul of the Mage who conjures the music.

Physical Graffiti
album cover
I've always felt Kashmir is Led Zeppelin's best work ever, and an example of a Mage Musician's work beyond the guitar - precise and incredibly powerful orchestration and production that supports the higher-level content above the notes to produce music that is On Purpose.  Led Zeppelin expert Dave Lewis describes Kashmir as “the finest example of the sheer majesty of Zeppelin's special chemistry”.  [Complete Guide to the Music of Led Zeppelin (1994)]

"Let me take you there. Let me take you there..." Robert Plant sings.  I heard the lyrics totally differently as I drove down the road.  I realized it wasn't an offer to take me to some mythological Shangri-La at all, but rather to a much higher plane. I all but stopped my truck and let myself go.

And then it was over, the silly grin still pasted on my face as the next awful muddle of metal pedal buzz came on.  The ray of light shining through the spiritual cloud of music had been obscured again.  But I had heard.  I had been taken through both time and space for a few moments while driving down the freeway.


Direct links to Kashmir
No Quarter: Jimmy Page and Robert Plant Unledded with the London Metropolitan Orchestra & Hossam Ramzy Ensemble 1994 


Sunday, July 8, 2012

Just what is Mage Music Anyway?

Just a few thoughts written from on the road...  

Mage Music 09: Just what is Mage Music anyway?

I got to thinking about it the other day as I was driving - thinking about the fact that I've been writing here about Mage Music assuming that everyone would of course know exactly what Mage Music is - but it seems that ain't necessarily so.  

But first...
Let's start from this basic premise:  Not all music is created equal.  Not only that, but not all Mage Music is going to be music that everyone likes.  And not all music that everyone likes is Mage Music.

What it is not
Mage Music is not a value judgment about music.  Just because it's Mage Music doesn't mean it's good or bad.  The term "Mage Music" is simply a description of a kind of music, music with a certain additional quality not present in other music (more on this in a moment).  Thus, the following are not qualities that make a song Mage Music:
  • You really, really love a song 
  • Everyone you know really, really loves a song
  • A song has "meaningful" lyrics
  • A song is performed by a great musician or band
  • A song is a hit, on top of the charts, goes Platinum
  • A song gets played on the radio a lot
  • A song is covered by other bands a lot
  • A song wins awards
The realities of Mage Music are that it can move your heart but it can also - even at the same time - be hard to listen to, it can be unpopular, unsuccessful, and/or unnoticed even while it is powerfully and undoubtably Mage Music.

Conversely, just because a song isn't Mage Music doesn't mean it is some kind of lesser music.  It’s OK for music to just be entertainment – in fact, that’s pretty much what music is for and what most music you listen to is.

What It Is
Mage Music contains a quality beyond the usual musical attributes such as pitch, tone, timbre, melody, brilliance, rhythm and the rest, beyond even  "meaning".  This additional quality of Mage Music is connection with the infinite, with God or the gods, with the ineffable energy of All That Is.  If there is a message conveyed in this connection, it is nothing that humans can use words to describe.  This connection is a communion with something fundamental to and greater than humanity that we instinctively seek but rarely ever know.  It is the Force, it is the Light in enlightenment.

Mage Music is music that carries Magick with it to to deliver to our souls.  Magick is another word for the energy or higher power of the Universe (which is why there is no such thing as black magic, by the way: Magick simply IS;).  All things carry some level of this energy, but some things - particularly human art - may carry more of this concentrated, pure, focused and Purposeful energy of the Universe.  Enough of the stuff in music and you have Mage Music.


Mage Music Identification
But still, how can you tell Mage Music from any other music, especially when one person so often disagrees with the next on whether a song is even good music, much less whether it carries Magick?   

Here's a list of things that can help you determine whether there's Magick in a song.  Consider this a "starter" list - some of these may not apply to you, or your  experience of Mage Music may be very different.
  • You can’t not pay attention when you hear Mage Music - it''s not possible for it to be background music; your attention is pulled to it
  • It thrills you each and every time you hear it, no matter how often you've heard it
  • You aren't quite always sure if you actually enjoy the song even as you feel compelled to listen to it
  • You experience some sort of hugeness or weight to the song beyond the music itself
  • Sometimes you can't listen to it because it's too huge or heavy
  • It doesn't matter if anyone  around you is digging the music - in fact, it might be easier if they don't even notice the song is playing
  • The Magickal part may not be – probably is not – carried in the lyrics
  • You can’t predict from the musical score, the lyrics or reviews, or anyone else's comments whether it is Mage Music – the Magick must be experienced by you personally
  • When you hear the song, you "listen" with more than your ears.  It feels like the music resonates in your heart and soul, and that your whole body is on alert and paying attention
  • When the song is over, you feel like your soul has been dazed and confused and otherwise well-used - not an entirely comfortable feeling but one you seek over and over again.
People have their own individual reactions to Mage Music.  One for me is that I get a sort of shiver up my spine when I'm hearing it.  I'd be interested in finding out how other people know it when they hear it.

And so what?
Why does it matter if music is Mage Music? Maybe not much from the musician's perspective, since carrying Magick doesn't translate directly into sales, though it can help.  From the mage’s perspective, given that music is one of the most powerful and most accessible forms of affecting human beings there is, then Mage Music is one of the most powerful tools there is for impacting certain aspects of the human soul.  The trick is, however, that not just anyone can get the Magick into the music.  You might be the worlds greatest musician, but that doesn't make you a mage.

Hmmm - that does bring up the question of what a mage is, doesn't it?

---

I'm recommending listening to Jimmy Page's solos for Thank You that he's played over the years - not because they are particularly relevant to this week's Mage Music blog topic but because I like the song very much.  Any additional links to Thank You would be appreciated.


Individual versions: