Showing posts with label Kashmir. Show all posts
Showing posts with label Kashmir. Show all posts

Sunday, November 22, 2015

On This Day 22 November

A multi-dimensional man.
2010 22 November On This Day Jimmy Page in 3D
  • 1966 The Yardbirds - Pittsburgh, PA at Civic Center
  • 2011 Jimmy Page – APRS Sound Fellowship Award 

2010 22 November On This Day text

2010 November Guitar World cover

2010 Jimmy Page Ernie Ball ad in 3D
2011
The Association of Professions Recording Services awards APRS Sound Fellowships to individuals who make a ‘significant contribution to the art, science or business of sound recording.’. On this day one of the six awards went to Jimmy Page: Unrivaled guitarist and producer.

2011 Jimmy Page and record producer Chris Thomas, APRS Sound Fellowship award recipients


...but still working




Today's musical choices are posted here just because.

♪  Kashmir (Led Zepppelin, Vancouver 1975) YouTube
♪  Kashmir (Led Zeppelin, Knebworth 1979) YouTube
♪  White Summer/Midnight Moonlight/Kashmir, plus short interview (Jimmy Page, 60minute Arena documentary about Heavy Metal, broadcast on BBCTV, 1989) YouTube
♪  Kashmir (Page, Plant, Jones, Jason Bonham, O2 2007) YouTube

Tuesday, October 27, 2015

On This Day 27 October

MSG makes your experience tastier
1995 27 October On This Day Page & Plant at Madison Square Garden (day 2)
Video:  ♪ Achilles Last Stand (Page & Plant, Atlanta 1995) YouTube

  • 1995 Page & Plant Unledded Tour - New York, NY at Madison Square Garden (day 2) 

1995 Page & Plant chillin' at MSG (Ross Halfin photo)
2013:
On this day musician, singer and songwriter Lou Reed died from liver disease. Just a few weeks before Jimmy Page had attended the London launch of the photobook, Transformers, a joint project by Reed and Mick Rock.
RIP Lou Reed (1942-2013)
Jimmy Page, Lou Reed, Mick Rock in London shortly before Lou's death




♪  I'm Waiting For My Man (The Yardbirds feat. Jimmy Page, Lou Reed cover 1968) YouTube
♪  Kashmir (Page & Plant, MSG 1995) starts approx. 4:00 YouTube



Saturday, October 24, 2015

On This Day 24 October

A long time ago
in a decade far, far away
1963 24 October On This Day Carter Lewis & The Southerners release
Your Mama's Out of Town and Somebody Told My Girl

  • 1963 Carter Lewis & The Southerners feat. Jimmy Page release Your Mama's Out of Town
  • 1969 Led Zeppelin - Cleveland, OH at Clevalnd Public Hall 
  • 1995 Page & Plant Unledded Tour - Philadelphia, PA at The Spectrum  

1963 Jimmy Page with Carter Lewis & The Southerners

1963 Jimmy Page with Carter Lewis & The Southerners

1969 Jimmy Page/Led Zeppelin at Cleveland (Michael Pierson photo)

1969 Cleveland Chronicle Telegram review of Led Zeppelin show

1969 Jimmy Page/Led Zeppelin at Cleveland (Michael Pierson photo)
2013 Jimmy Page backstage with Baroness, Electric Ballroom London
(Ross Halfin photo)




♪  Your Mama's Out of Town (Carter Lewis & The Southerners 1963) YouTube
♪  Somebody Told My Girl (Carter Lewis & The Southerners 1963) YouTube
♪  Black Dog , Kashmir (Page & Plant, Philadelphia 1995) YouTube
♪  Full set ( (Page & Plant, Philadelphia 1995) YouTube

Sunday, October 11, 2015

On This Day 11 October

Kashmir. Let me take you there.

11 October 1994 Unledded premiers 
published On This Day 2020


1994 11 October Unledded Project premiers at Beacon Theater, NY
♪ Kashmir (Page & Plant) Soundcloud

  • 1988 Jimmy Page Outrider Tour - Oakland, CA at Oakland-Alamada County Coliseum Arena
  • 1994 Page & Plant Unledded Project premier - NYC at Beacon Theater and Londong at Planet Hollywood
1995:
The London Studios (a.k.a. The South Bank Studios, The London Television Centre and Kent House) is a TV studio complex in Central London, and are the main studios for ITV, the UK's main commercial TV network, and London Weekend Television (LWT).  The complex currently has six studios, but has housed up to nine in the past.  One of those studios was where Jimmy Page and Robert Plant recorded Kashmir for the Unledded Project.

Kashmir:
"It originated from playing around on the tuning," Jimmy Page said in It Might Get Loud.

Jimmy Page says he had a sitar before George Harrison did, though he acknowledged when he said it that Harrison was the better sitar player. Jimmy Page obtained a tanpura (stringed drone instrument) in India in 1967. Back in the UK he recorded White Summer on his Simon home recorder, playing and overlaying the other instruments. Jimmy Page then used a sitar on the Muareeny Wishful album (with folksinger John Williams and guitarist Big Jim Sullivan) released in 1968. He was no stranger to alternate tunings when he turned his genius loose on Led Zeppelin.

DADGAD tuning is credited to Davey Graham, a songwriter/musician, who was inspired by the oud music of Morocco. The open strings of DADGAD tuning evoke the drone of traditional Scottish and Irish pipe music, northern African music and the Indian sitar, depending on the song. With Led Zeppelin, Jimmy Page used DADGAD tuning in Kashmir, Black Mountain Side, White Summer and the unreleased Swan Song (later released as Midnight Moonlight, with The Firm).

Thanks to Dave Lewis' TBL for this photo of Jimmy Page

Tuesday, September 22, 2015

On This Day 22 September

Blues. Ya gotta love the blues. Unless it's Kashmir.  You can love Kashmir, too.
1965 22 September On This Day John Mayall single produced by Jimmy Page

  • 1965 John Mayall single produced by Jimmy Page released
  • 2012 Jimmy Page at Jesters’ Care for Kids Gala 

I'm Your Witchdoctor & Telephone Blues singles produced by Jimmy Page
1965:
By this time, Jimmy Page had been around the block for a while. He was no pushover. Can you imagine his voice when he made his "suggestions" to the recording engineer? 

Jimmy Page's website has referred to his stint with Immediate Records a few times in the past couple of months. I posted about that on this blog HERE, HERE and HERE.

2012:
Different year, same event: The Jesters Care for Kids Gala. I posted about the 2013 event yesterday. In 2012 Jimmy Page donated a guitar that he had himself videoed playing to authenticate its provenance. The guitar sold for 423,000 Thai Baht (nearly $12,000 or  £7600 at today's exchange rate) in the auction at the annual Jesters Gala held in the tourist resort of Pattaya, Thailand on this day in 2012. I posted about this donation in another post earlier, and got the year wrong. Sorry.

2012 Jimmy Page plays Jesters Care For Kids Gala donation guitar

2012 Jimmy Page in Thailand signing guitar to be donated to Jesters


♪  I'm Your Witchdoctor (John Mayall and the Bluesbreakers) YouTube
♪  Telephone Blues  (John Mayall and the Blues Breakers) YouTube
♪  On Top of the World (John Mayall and the Blues Breakers) YouTube
♪  Double Crossing Time (John Mayall and the Blues Breakers) YouTube
♪  To help get some good, healthy bids (Jimmy Page playing Kashmir on guitar to be donated to Jester's auction, 2012) YouTube


Wednesday, September 16, 2015

On This Day 16 September

Awards, weddings and an On This Day mystery.
1970 16 September On This Day Led Zeppelin awarded top Melody Maker poll spots
Melody Maker review 
  • 1970 Led Zeppelin tops Melody Maker poll
  • 1971 Led Zeppelin - Honolulu, Hawaii at Honolulu Civic Center
  • 1978 Jimmy Page at weddings of Richard Cole & Tracy Heron-Weeber and Simon Kirke & Desiree Serino
  • 1988 Jimmy Page Outrider Tour - El Paso, TX at Special Events Center
  • 1998 Page & Plant - Denver, CO at Red Rocks Amphitheater
1970:
Just a year after their first shows, Led Zeppelin was topping the Melody Maker poll. All four band members plus Peter Grant attended the award ceremony at the Savoy Hotel in London. Led Zeppelin was number one Group, number one UK Album and number two International Album with Led Zeppelin II; Robert Plant was number one Male Singer; Jimmy page was number two in the guitar category.
1970 Led Zeppelin at Melody Maker Awards in London
1971:
Honolulu was hot and sticky, with an obnoxious audience. This first of two nights' shows got poor reviews. Still the best band on the planet.
1971 Honolulu - nice shot of Bonzo's kit (photo Robert Knight)

1971 Jimmy Page/Led Zeppelin in Honolulu
1978:
What an incredible collection of talented folks at this joint wedding celebration.
2013:
Here's the On This Day mystery.
2013 16 September On This Day post - Ofra Haza

Ofra Haza (1957 - 2000) was an Israeli singer, actress and international recording artist. Born in the slums of Tel Aviv, her music rose above political boundaries to reach a broad international audience. Haza received numerous platinum and gold discs and she performed at the Nobel Peace Prize Ceremony in Oslo in 1994. 

In 1995 she covered Led Zeppelin's Kashmir on her album, Queen In Exile. The song appears twice on the album with different approaches.  Haza died of AIDS-related pneumonia, reportedly due to a blood transfusion in a Turkish hospital following a miscarriage. 

The mystery is why Jimmy Page posted this when he did. As far as I can tell, the date and the year are not connected to any specific event associated with Ofra Haza. Maybe someone else can tell me. Maybe Jimmy Page would be so kind as to contact me and let me know.


♪  Kashmir (Ofra Haza, 1995) YouTube
♪  Kashmir (Ofra Haza, 1995) YouTube
♪  Full set (Page & Plant, Red Rocks 1998) Panicstream

 

Saturday, August 8, 2015

On This Day 08 August

Expect the unexpected.

1998 08 August On This Day Jimmy Page with Puff Daddy
♪  Come With Me/Kashmir(Godzilla soundtrack) Soundcloud

  • 1966 The Yardbirds - Detroit Lakes, MN at Detroit Lakes Pavilion
  • 1967 The Yardbirds - Ann Arbor, MI at The Fifth Dimension
  • 1969 Led Zeppelin - San Bernardino, CA at Swing Auditorium
  • 1971 Led Zeppelin - Montreux, Switzerland at Montreux Casino Hall
  • 1998 Jimmy Page with Puff Daddy 
1969:
Jimmy Page broke a string right off the bat at this show, and it was so hot in the southern California auditorium that his guitar wouldn't stay in tune.

1971:
The casino at Montreux was so packed that Peter Grant tried to talk Claude Nobs into piping music outside to the overflow crowd.
1971 Led Zeppelin Montreux
1998:
For some reason some people were horrified that Jimmy Page collaborated with Puff Daddy (as he was then known) on this hip-hop rap version of Kashmir, yet it is an example of the wide-ranging musical mind of Jimmy Page to have done so. In fact, the song went platinum in the US. Jimmy Page and "Daddy" (as Jimmy Page refers to him on his website) performed the song on Saturday Night Live. In the censored version of Come With Me, Godzilla's roar masks Daddy's obscenities, yet Gozilla isn't given credit as a guest artist.

Note that the date stated on the Jimmy Page website is likely not accurate.

  • Jimmy Page & Puff Daddy performed the song on Saturday Night Live 09 May 1998
  • The soundtrack album was released 19 May 1998
  • The film was released 20 May 1998
  • The single was released 9 June 1998
  • The single peaked at #2 on the Billboard chart on 25 July1998
  • The remix maxi-single was released 28 July 1998


♪  Full show (Led Zeppelin, San Bernardino 1969) YouTube

Thursday, July 2, 2015

On This Day 02 July

1988 02 July On This Day Outrider hits the Billboard charts
  • 1966 The Yardbirds - Brixton, London, at Ram Jam Club
  • 1980 Led Zeppelin - Mannheim, Germany at Eisstadion am Friedrichspark
  • 1988 02 July On This Day Outrider hits the Billboard charts
  • 1995 Page & Plant - Unledded Tour - Munich, Germany at Munich Festival
  • 2000 Jimmy Page with The Black Crowes - Mansfield, MA at Tweeter Center
1980 Jimmy Page/Led Zeppelin Mannheim (Photo Affendaddy)

1980 Led Zeppelin Mannheim
1988:
Released on 19 June 1988, within two weeks Outrider reached #26 on Billboard's Billboard 200 chart and #27 on the UK Album Chart. This album is highly underrated, even by Jimmy Page himself, who said, "Outrider's all right. It's demo-like compared with those overproduced albums that came out at the time. It didn't do very well - doesn't matter..." (Uncut Magazine, January 2009, p. 47).  

But there's more to the story, of course.

It's no surprise that Rolling Stone didn't like the album much. Reviewer David Fricke apparently didn't do any homework at all. The album was recorded at Jimmy Page's personal studio The Sol so there was no need for demo tracks. What was recorded could be used directly for the album. Fricke didn't bother mentioning that the tracks that appear on Outrider were all that was left after the theft of tapes from Jimmy Page's home. 

In a Guitar World interview in 1988, Jimmy Page said that the stolen tracks were very different from what ended up on the Outrider album.  He also talks about the recording process.

Interviewer: One of the more unorthodox aspects of your process was the fact that -- on the rock tracks, at least -- the vocals are part of the overlay rather than part of the nucleus of the song. In your work, the guitar is the primary element, and everything else is subordinate to it. 
"John Miles was the first vocalist to come in, and I had the tracks actually done when he came in. So it was quite easy, really, to hear it, to gauge the feel of what everything was about. And then we just discussed the lyrical content and such. And away we went. 'Cause I don't sing, so I think if a guy's doing the lyrics, he's gonna sing them with more conviction than if he's doing yours, so to speak. That was the concept there, anyway, with two rock 'n' roll tracks and rock 'n' roll lyrics. Whereas you 've got the other end of the scale, where Chris Farlow just made up the lyrics as he went along on the blues, just as I'll make it up when I'm playing, at the same time. That's totally spontaneous, and it's great."
~ Jimmy Page, Guitar World 1988

Tuesday, June 23, 2015

On This Day 23 June

The man's got a lot of moves.
2010 23 June On This Day Jimmy Page at Rio De Janeiro Ivo  Meirelles Samba Drum School
  • 1966 The Yardbirds - Ashton-under-Tyne, Manchester, England at Mecca Palais
  • 1972 Led Zeppelin - San Diego, CA at San Diego Sports Arena
  • 1977 Led Zeppelin - Inglewood, CA at The Forum
  • 1980 Led Zeppelin - Bremen, Germany at Bremen Stadthalle
  • 2010 23 June On This Day Jimmy Page at Rio De Janeiro Ivo  Meirelles Samba Drum School

1972 23 June Led Zeppelin at San Diego (Photo = ?)

1972 23 June Led Zeppelin at San Diego (Photo = ?)


1972 23 June Led Zeppelin at San Diego (Photo Richard Brown)

1977 23 June LA Forum - Raymond fixes the guitar strap
The LA Forum shows are considered some of the best of Led Zeppelin's performances. The 23 June show is referred to the Badge Holders show as Robert Plant made several dedications to the badge holder people. One of the high quality bootlegs of this show is entitled For Badgeholders Only..

The boys were so hot that night that no one faults the show for some fumbles.  The whole band stopped to wait after the first song when Jimmy's strap on double-neck broke and Raymond fixed it. Keith Moon of The Who showed up on stage during Over The Top (Moby Dick) and appeared on and off thereafter.  The band got lost after John Paul Jones missed a change during Kashmir, a song that sounds deceptively simple to play but isn't.  Mr. Jones has been quoted as saying he stuck a piece of a paper on his keyboards to help him remember.
1977 23 June Keith Moon crashes Led Zeppelin show at LA Forum

2010 23 June Jimmy Page at Rio De Janeiro Ivo Meirelles Samba Drum School

♪  LA Forum highlights (Jimmy Page, plus Keith Moon on stage, 23 June 1977) YouTube
♪  Since I've Been Loving You (Led Zeppelin Bremen 1980) YouTube



Saturday, May 11, 2013

A Year of Music and Magick

"We had been taken somewhere and brought back and we were different people..."
~ Terry Pratchett, Snuff (Discworld)


Mage Music 52

Mage Music 52: A Year of Magick  jimmypagemusic.blogspot.com
A little over a year ago I posted my first article to this Mage Music blog.  I really didn't know what I was going to write about, but I knew that there were questions I had that needed answering.  I was pulled towards the music of Jimmy Page.  There was a depth to it that spoke to me in a language that was beyond words.  It was... vaster, more meaningful.  It was the essence of emotion... primitive, essential and powerful.  I wanted to connect with that, but first I had to know it.

I confess that part of the reason I wanted to write was because I couldn't seem to find anything about what I wanted to learn anywhere else.  There is so much to say about Jimmy Page's work, but I wasn't finding anyone writing about what I was interested in reading about, which wasn't the drugs, sex or excesses, the outfits, his facial expressions or his hair (sorry if that offends or disappoints, but there it is).

And of course, people like to natter on about Mr. Page's connection with the occult, specifically the work of Aleister Crowley. To me that wasn't the right direction.  Yes, there was Magick in the music but it was so obviously Jimmy Page's own Magick - not someone else's - that I didn't see the point of looking to anyone or anywhere else for answers.

So I have spent a year exploring the concepts, delving into understanding the basis of Magick across disciplines and focusing on music as an expression of Magick.  I used Mr. Page's work as inspiration for the words I wrote.  I came to understand that I was translating from not only another language but another reality, and the result could only ever approximate the depth, the beauty and the mystery of what I sought. Still, the music compelled me to keep trying.  Or maybe it's been the Magick doing so.

It took me somewhere and made me grow

Over the course of the year I listened to so much of Jimmy Page's music that I began to hear it in an entirely different way.  The beauty and mystery that had always called to me now was speaking to me with a meaning that I could almost comprehend, but that remained elusive.  I knew I would understand if only I listened just a little more closely, a little more carefully, so I really listened, focusing on what I was hearing at the root rather than at the surface.

What I was hearing was the Magick that was speaking through Mr. Page's guitar, of course.  I came to understand that I was never going to understand it with my thinking brain, because Magick is meant for a deeper part of a human than that.

I'm no musician, I'm a listener and I'm a writer, so I finally just let the mystery of the music flow past my brain and into my heart and soul to inspire me and push my own creative process.  I found myself writing much more than I ever had before, and about things that that I didn't know I knew.  The music of Jimmy Page has taken me to times and places I'd never been before in my own work - a process so exciting and so inspiring that I plan to keep going there.

The job of the artist is to recognize the truth of All That Is and to fairly represent it to the best of his ability. The tragedy of the artist's lot is knowing that, no matter how skilled he is, the artist's creation can only ever be an infinitesimal aspect of All That Is.  And the triumph of the artist is that he keeps doing it anyway.
Here is a Kashmir playlist - because the Magick is right there.


I hope you have enjoyed reading these posts as much as I've enjoyed writing them this past year.  I hope you won't mind if I keep on writing them, too.  I've got another big project in the works that I'll be talking about in upcoming months, but you can count on Mage Music posts every week as long as the music has Magick. I guess that'll be for a while.


Mage Music 52: One Year of Magick  jimmypagemusic.blogspot.com
As always, thank you Jimmy Page






Saturday, December 8, 2012

Ear Worms

I just can't get you out of my head...
     ~ Kylie Minogue, Coldplay, etc.

Mage Music 31: Ear Worms  jimmypagemusic.blogspot.com
Mage Music 31

A few weeks ago I couldn't get the chord progressions of Kashmir out of my head. I would wake up in the middle of the night hearing them: up scale, down scale, one phrase at a time that never led to the next, just that same one phrase over and over.

It's not just Kashmir - last week it was Stairway to Heaven.   There's been other songs too:  For instance, just thinking about the chorus for Your Time Is Gonna Come threatens to worm it into my head. Jimmy Page's opening riffs in Tea For One is another example.  Oh, there's many, many more of them.  I'm pretty prone to this phenomenon.

I think you know what I'm talking about: Ear worms.  Fortunately for me, it's most often Led Zeppelin - not, say, a fast-food chain jingle.  So I don't mind it at all… well, not much.

Ear worms? Not something that Khan has inserted in your ear (actually a Ceti eel, not a worm) for his amusement and the re-education of prisoners, but rather a bit of music that is stuck in your mind, a brief phrase or two that you have no control over.  Music you hear in your head, not in the outside world, music that you may even be surprised to discover playing and replaying in your mind, that showed up there unbidden, uncontrolled and often unappreciated and unwanted.

According to some quick research I've done, ear worms are pretty common, although some people never get them or only experience them infrequently.  At the other end of the scale, research has found that musicians seem to experience them a lot, much more often than non-musical people do.

According to Wikipedia, ear worms are common enough that they "may be distinguished from brain damage".  In case you were worried about hearing things that no one else can hear.


Out! Out damn worm!
Scientists who've looked into ear worms have a good idea what's going on in the brain and where it's happening (quite a few places at the same time it turns out, but that's a story for another day).  Science still can't tell us why it is that even one exposure to a bit of advertising jingle that you weren't even conscious you were hearing can end up repeating itself over and over and over in your head without your wanting it to, never ending until something breaks the cycle. It can be like a twitching eye - nothing you seem to do will get rid of it, and you hope it'll just go away eventually before it drives you crazy.

One of the problems with ear worms is that we recognize the pattern as a musical phrase, but there's no context and there's never a climax.  Instead of the music moving on it goes back, like a stuck record (for those who have no experience with LPs, you'll just have to use your imagination). Let's just say there's never a musical statement of conclusion, which, after the crazy-making repetition, is an integral part of the torture.

And getting rid of them?  Not so easy.  Ear worms aren't like habits, since they aren't settled or regular tendency or practices that we really do have control over that are just hard to give up.  And therein lies the problem - if you get an ear worm you don't want to hear, what can you do?

Sorry, this is not a blog about getting rid of ear worms.  You can try listening to some other compelling music (but that doesn't always work)... or just be patient.  No one has ever died from ear worms.  Gone crazy maybe....


Making lemonade
You know what Mr. Plant says about squeezing lemons.  If you get them, you don't need to complain, you instead make use of them.

Wired Magazine had an article almost two years about learning languages  using ear worms.  The idea is that ear worms are compelling and if you can hook onto that, you can learn certain things more quickly*. Results have been mixed, but that doesn't mean the concept couldn't work - give advertising agencies a few more years and they'll have it figured out.

When you've been infected by an ear worm the musical loop you are trapped in is actually resonating in deep parts of the brain that are interconnected in ways that don't occur with language and conscious, logical thought.

The primitive, "reptile mind" part of the brain doesn't have anything to do with the conscious, "logical" part of the brain.  The former has to do with survival on a very basic level, the latter on, well, thinking.  This is a Good Thing:  When the zombie pops out from behind a wall, you don't want to stop to think about it, you want some survival instincts taking over to get your butt out of there.  When panic sets in the reptile mind, the survival part of the brain, is turned on and the part of the brain that deals with conscious thought is literally turned off.  I believe if you've ever encountered a zombie (or it could be a spider, snake or an in-law), you will know just what I mean.

But here's a really interesting fact:  Although the primitive parts of the brain cannot directly connect with the parts of the brain that control logical, conscious thought, music can indirectly bring that connection about.

This is prime territory for learning and for exploiting by advertising agents.  It is also why music can be used as ritual for Magick.

When we hear music, we're also feeling it with our bodies.  It resonates with our guts and our bones and worms its way into our souls.  Add the will and desire of a Mage, and you can see how Magick will result.




There is no YouTube playlist this time.  It would just be too cruel.



More about ear worm foreign language learning:  "Listening to melodious music puts users into a relaxed state of alertness, the 'Alpha state' the ideal condition for learning. The sound patterns of melodies, with rhythmic repetitions from a mesmeric male voice who speaks the English and a native speaker for the target language, 'worm' their way deep into the memory, permanently burning into the aural cortex -- an area of the brain from which words can instantly be recalled."  Note from Mage Music:  Results may vary.

Saturday, November 3, 2012

Kashmir Deja Vu

The more things change, the more they stay the same. 
                                      ~Alphonse Karr (1808-90)

Mage Music 27


The language of thought is language of words, but the language of experience is language made of music. Music immerses the listener in states of being.  Words tell stories, music lives the story.

Music infused with Magick raises the stakes. Truths can be conveyed that have never been imagined before, and can blast open even the most tightly protected hearts.  

Kashmir has brought forth Magick through music over and over again.  Time changes all, yet the essence of Kashmir is always the same. 

I can take you there, Robert Plant sings. Where? 

Kashmir is the experience of the essence of Led Zeppelin. Kashmir shares the heart and soul of a place that does not exactly exist yet you recognize. The language of music infused with Magick invokes the fifth element that Jimmy Page, Mage Musician, created with the desire, intention and ritual of Magick.

Let it take you there.



Please forgive the brevity of this Mage Music post - life happens!



YouTube Playlist - Kashmir Déjà Vu 

Individual songs


1975 Led Zeppelin, Kashmir (studio) Album: Physical Graffiti 

1975 Led Zeppelin, Kashmir (live) Madison Square Garden 02-12-75 

1975 Led Zeppelin,  Kashmir (live) Pacific Coliseum, Vancouver, Canada 3-19-5

1975 Led Zeppelin, Kashmir (live) LA Forum 3-27-75

1975 Led Zeppelin, Kashmir (live) Earls Court 5-24-75

1977 Led Zeppelin, Kashmir (live) MSG 06-07-77

1979 Led Zeppelin, Kashmir (live) Knebworth 1979

1995 Page & Plant, Kashmir (live) Irvine Meadows, Irvine California, 10-03-95

2007 Led Zeppelin/Jason Bonham, Kashmir (live) O2